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So Helpless

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“What’s in the box?” is a nice question, unless you are Detective Mills or a little girl in the park.

In the Gutter, ain’t nothing is free. Including candy, puppies, and free rides...

So Helpless by JP Lundstrom



She was the only one left. There had been other children on the playground, but as evening approached, their careful mothers had shepherded them into cars that waited to carry them home to warm houses and hot meals. She sat alone in a swing, patiently waiting, her shoes tapping the sand to make the little built-in lights blink on and off. Puffs of dust rose into the air and then settled on her sparkling toes.  

The child watched as a light blue van pulled in and stopped at the edge of the parking lot. She liked the look of the van; blue was her favorite color. The driver parked over on the shady side of the lot, near the edge. It was cooler there—a good place to stop and eat lunch, no matter how late in the day. Sunshine filtered through the trees and fell on the shrubbery that surrounded the van.

The driver got out, walked around to the back, and opened the doors. He was trying to move something in the back of the van, but was having trouble. She could tell he’d hurt it somehow: it was wrapped in a dark blue cowboy scarf. She watched him for some time as he worked, his hurt arm hindering his efforts. At last, she left the swing and moved closer.

“What are you doing?” Her curiosity had brought her to him. He smiled.

“Shhhh—you have to be quiet. You don’t want to wake them up. They’ll start crying.” The man wrestled awkwardly with a bulky bundle, muttering under his breath at the sling that kept one arm tied up. He gave the bundle a final shove with his free arm and started to close the door. 

The little girl peered curiously into the van. It was nice inside, with plenty of room to move around. There was a large, floppy cardboard box on the back seat. She wrinkled her nose at its milky, vaguely dirty smell. She climbed into the back of the van for a better look. Inside the box were three sleeping puppies.

“Oooh,” she said, eyes wide. Then she covered her mouth with one tiny hand, so as not to awaken the puppies. 

“What’s your name?” he asked her.

“Bonnie,” she answered. “I know what your name is. It’s Bud. I can read.” She pointed to the name on his dark gray work shirt.

“Well, Bonnie, what do you think of the puppies?”

“They’re darling!” She used the word carefully, as if hoping she’d got it right. 

He leaned in, watching her. 

She concentrated on the puppies. She liked the caramel-colored one. It pawed its way around the box, looking for something that wasn’t there. She reached in to stroke its soft fur.

“Poor little thing. It’s helpless,” she said. “It can’t find its mom.”

“I know. She got hit by a car.”

“Did she die?” She was curious about death.

“No. She’s in the pet hospital. She’ll be okay, but now I’m stuck taking care of her pups.” 

“Can I help?” she asked.                

“I don’t know . . . you have to be pretty responsible,” he said doubtfully.

She knew that word. That was the word they used at the Home when kids didn’t follow the rules. “That’s all right. I’m very responsible. I’m responsible for a lot of things.”

He hesitated. “Well, look. With my arm banged up like this, I’ve only got one hand. I could use some help. They’ll be waking up soon, and they’ll need to be fed. Do you think you could do that?”

“Sure. Do you have dog food?”

He laughed. “These dogs are babies. They don’t eat dog food. They only drink milk. You have to hold one at a time and feed it with a baby bottle.”

She considered this. “I guess I could do that. I know how to feed a baby doll.”

He laughed again. “Well, I guess you can. We’ll just wait till they wake up, and then you can feed them.”

She looked around again. The van was spotless, and empty. “Where do you keep the baby bottles?”

“I don’t keep them in the van,” he said. “I have to keep them at home, in my refrigerator. We’ll go get them. It’s not far.”

“Okay. I’ll go tell my daddy where we’re going.”

Bud scanned the area. The parking lot was empty, as was the playground. He saw no one, except a ragged trash picker going through the garbage cans near the picnic tables. He watched as the man added to his collection in a black trash bag. The bum stared back at him for a moment, then returned to his work.

“Your dad is here? I don’t see him. Where is he?”

“I think he went to the bathroom. I’ll go find him.” She slid over on the seat and started to climb down from the van.

Now was the moment. Bud moved quickly, slipping the sling from his arm and blocking the way. He pushed the child back inside and slammed the door shut. She was his.

 “Hey!” she shouted through the window. No cause for concern. The park was empty now; no one would hear her. Then she shouted, “There he is! Daddy!”

The ragged bum was suddenly behind him. He’d been concentrating on the little girl. He hadn’t noticed when the bum left off going through the trash and started slowly edging closer.

“Going somewhere, Mister?” asked the bum.

Bud felt the burst of his own skin and the plunge of a blade. He felt the sharp point travel through his flesh and between his ribs. By the time it reached his heart—less than a second, really—he didn’t feel a thing anymore. Darkness filled his brain as he slipped to the ground. 

“Nice work, Bonnie. You had him eating out of your hand.” 

The bum wiped his knife on the dead man’s shirt. He pushed at the body until it had rolled under the surrounding shrubbery, then shed his ragged coat and used it to cover his work. 

“Get in quick, Daddy. The keys are right here.” 

Bonnie’s daddy took his place in the driver’s seat and the van pulled slowly out of the parking lot. “What an actress. In twenty years, I’ll probably be watching you win an Academy Award.” 

“What’s that, Daddy?” she asked absently. She was moving around in the back of the van. He heard the box rustle, and then a faint yelp.

“What shall we do with the puppies? Do you want to play with them?”

“No, I guess not. They smell bad.” She folded the flaps over the box of now lifeless pups. “Stop up there and I’ll throw this in the trash.”

Bonnie moved to the seat beside him, and he smiled and pulled his girl close. In twenty years, I’ll be watching you like a hawk, he thought. If you haven’t already done me in. 

“Isn’t this a nice van? I told you I could do it.” She snuggled against him.

He sighed as he contemplated a life sentence with this fearless, monstrous child.

“I love you, Daddy.”


JP Lundstrom sat around being belittled and browbeaten, until she took matters into her own hands, and now she’s out for BLOOD! Lundstrom writes crime: white collar, blue collar or leave your shirt off.

Money is Thicker Than Blood

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Brotherly love? Thick as thieves? These terms are of no use in the Gutter.

Down here, the only thing that matters is looking out for number one.

Money is Thicker Than Blood by Garrett Box



“You’ve got a job lined up, don't you?” Charlie said over breakfast at a local diner. PJ's. It was his brother's favorite spot. His lucky spot. Hell, he did half his business behind a chipped Formica table near the back. “Of course you do." Charlie smiled at him over the rim of his mug. "You’re my brother.”

“I’m having breakfast.”

“I want in. I can drive. Seriously. I need the money.”

“From what I hear, you need a lot more money than this job'll pay.”

Charlie looked miserably down at his cup of coffee. “It isn't about the money; it’s about my clean slate.”

“Sounds like you've got bigger problems,” said Trevor. “Take a contract or two. Do what you’re good at and leave the grunt work to people like me.”


“I picked up a contract. More than one, in fact. The organization wants them dead, but they love money more than blood. Money means one of them gets to walk, and that’s where I come in. I invite you to this café," He waved his hand to the diner behind him. "I pay for your breakfast, and then I ask to be your driver.”

Charlie placed a photograph face-up in front of Trevor and spun it around with his finger. It was taken from a high-powered lens. Grainy, but it was clear who it was: Trevor alongside the two other men in his crew.

 Trevor set down his utensils and squinted at the picture. “What the fuck is this?”

“A picture of two dead men if you play your cards right.”

"Why?"

"Banks, Trevor. They've got diminishing odds. You can't do 'em forever and they know it. They think someone's gonna flip." Charlie held up a finger. "Remember what happened with Tony." 

Trevor and his partners depended on the organization for more than just inside information on banks, they had their hands in everything. Grunt work. Anytime there was a card game to burn or a drug dealer to punish or a slow payer on a loan, Trevor and the boys got the nod. A weak link among them would lead all the way up the food chain. A liability. 

“Jesus, Chuck, what have you agreed to?”

Charlie took a flask of whiskey out of his pocket and poured it into his coffee and stirred it with a spoon. “Way I see it, we do this thing right, drop the extra baggage in the street, and buy our lives back.”

“We’re a tight crew.”

“You’re a dead crew.”

Trevor pushed his plate away in defiance.

“You going to collect on us all, Chuck? I known these guys my whole life.”

Charlie took a moment to collect his thoughts and said, “When the Titanic was sinking, two men happened to come across the same lifeboat while treading water; but the kicker was that it could only carry one of them. While they sat freezing to death, one of them said three words, drowned the other and took the lifeboat.”

“How profound, Chuck, except that they didn't have lifeboats like that on the Titanic.”

“It’s a fucking story and you’re missing the point.”

“And what’s the point?”

“Be the one on the lifeboat; otherwise they’re both dead men in a story that never happened.”

Trevor looked down at the rest of his scrambled eggs and said in a low, defeated voice, “Why are you telling me this?”

“There's a non-negotiable favor you need to do for me. This next job, you walk in the front door and you leave out the front door. The side or back door is not an option.”

“Why?”

“Because that’s the way they want it done. It has to look like you didn't see it coming.”

“That’s how Tony died.”

“Don’t think about Tony, think about you.”

“I suppose I should thank you. Not every day your brother offers your life back,” said Trevor sarcastically.

“You shouldn’t. Just do this for me and I’ll be forever in your debt.”

****

The other two men didn’t suspect Trevor in the slightest as he went over the plan in preparation for the job that evening. They would be the bank's final customers of the day and the rest was just rote execution. 

Charlie and Trevor sat in the car, waiting for the last few straggling patrons to exit while Trevor's two-man crew milled inside and stalled, writing deposit slips and studying loan pamphlets. Once the bank was empty and the two were in place, Trevor would walk in with the heavy artillery

The last of the civilians stepped out of the entrance and Trevor opened his door. Charlie stopped Trevor before he stepped out of the car.

“After this and that’s it for me. I just wanted you to know that I’m not going to waste this. I mean it.” He took a long swig from his flask. “Shit, Trevor, I…I… see you when you come out.”

Trevor smiled, pulled his mask on and said, “Who are you kiddin’? We’ll always be in the game.” He stopped and smiled back at his brother. “You never told me what those three words were.”

"What three words?"

"The lifeboat. The Titanic, remember?"

“When you get back,” Charlie said with a forced smile.



Trevor walked into the bank while Charlie waited in his car. From out of the dashboard he pulled a picture of the three men inside and a pistol equipped with a silencer. He looked at Trevor in the photo and said to himself, “Who are you kiddin’?”

Charlie placed the photograph down and readied his gun. The three men burst out of the bank and made their way towards the car. The first man dropped like a rag doll and then the second. Head-shots, easy targets. Trevor kept walking and then stopped when he saw that Charlie’s aim was fixed on him.

“So long, brother.”

Trevor held out his hand, but it did no good, and Trevor collapsed into a pool of his own blood just like the others.

Charlie drove away, leaving the money behind. The investigation would end with three dead bank robbers with nothing to show for it.

He cracked the window and the cool afternoon air filled the car. On the passenger’s seat, the photograph flipped upside-down, driven by the current, and on the back was written; “Three hits – one clean slate. Do them like they did Tony.” 

Garret Box has B.A. in English and a Theatre minor from the University of Utah. He started out writing screenplays and then turned to the master race of novels. He is married with two kids and always striving for that double-dipped goal: publication and a root beer float.

Like a Fox

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They say the Eskimos have 37 words for snow. It’s a lie of course. But you can appreciate the sentiment.

Watercolors are a little like that. I mean, expression through varying shades and gradation. Sounds nice. Except there’s not enough red to paint some revengeright.

Like a Fox by Rose Lee-Delgado



Sensing Roger’s presence, Angela looked up from her book and turned toward him. “I’m calling it a night,” he said. 

She nodded, smiling faintly. 

“Coming?” he said. 

“In a bit,” she said. 

“I guess I’ll say goodnight then.”  

“Before you go,” she said, catching him mid-stride. “Before you go, I wondered if you’ve read it yet.” 

“Read what?” 

“My story,” she said. “I gave it to you last week, remember?” 

“’I remember,” he said, “and yes, I’ve read it.”

“What did you think?” 

“Now?” he said, glancing at his watch. 

“Please,” she said. “I’d appreciate it.” 

Nodding, he crossed the living room and positioned himself behind a large easy chair opposite her. Gripping the back of the chair as though it were a lectern, he gazed in her direction. It was his preferred professorial stance, one Angela had seen many times during the past twenty-five years. She smoothed her skirt, folded her hands in her lap and looked up at him. 

“I’m sorry to say it, but I’m afraid your story has problems.” 

“Problems?” she said, still smiling. 

“I’ll try to explain,” he said. “As I recall, a man and a woman are in bed together. It wasn’t clear whether they were married, but anyway, sometime during the night while he’s asleep, she slits his throat. Afterward, she doesn’t attempt to hide what she did, or to escape. Instead, she goes outside and sits on the front steps until daybreak, blood all over her. A passerby notices, and calls the police. When they arrive, she admits what she did, and when asked why, she shrugs and says only that his number came up. That’s basically it.” 

“You remember it well.” 

“The problem is, readers will want to know why she killed him,” he said, “but you don’t give them anything to go on. You refer to him as narrow-minded and judgmental, but is this reason enough to kill him?” 

“Hmmm.” 

“If she stood to gain financially, or if there had been abuse or infidelity on his part, I could understand, but nothing like this was mentioned.” 

“True.” 

“It doesn’t make sense. How could any sane person do what she did, and then shrug it off?” 

Angela nodded. 

“To be fair, I suppose there are people who would appreciate the gruesome details you provided, like the part where she nudged him so that he rolled over and exposed his throat, or the part where she positioned the tip of the knife just below one of his ear lobes before driving it in and slashing him from ear to ear, as you put it. But even people who like this sort of stuff would expect more than just blood and gore.” 

Angela nodded again. 

“What you’ve written is simply a description of a woman who seems crazy. If there’s a story here, I couldn’t find it.” 

“I see.”    

“Let me make a suggestion,” he said, stroking his graying goatee. “Take a course on creative writing. Study the subject, learn the fundamentals.” 
 
“That’s an idea.” 

“It’s possible, of course, that writing isn’t the best creative outlet for you. Have you considered anything else?” He hesitated, then added, “What about watercolors?” 

“Watercolors?” 

“Why not,” he said, warming to the subject. “Do you remember when Rob was what, five or six, and we gave him that watercolor set? You showed him what to do, and I remember how well you could paint, how easily it came to you.”  

“You’re bringing up Rob now?” she said, eyes flashing. “The son I haven’t seen in four years, the son who avoids us like the plague?” 

“Let’s not start, okay?” Roger said. “It’s late, and besides, how many times do I have to say I was wrong? It was a poor choice of words, and I’ve already told you that I’d apologize to Rob if I knew how to contact him.” 

“A poor choice of words, you say? Calling him a fairy, a little faggot, a fucking queer, that’s what you’re calling a poor choice of words?” 

“Please, you’re acting like you’ll never see him again, but you know he’ll come home sooner or later, if only to see you.” 

“No, he won’t. When he walked out, he said I was no better than you, otherwise, I’d leave with him. Remember that?” 

“Sweet Jesus, can’t we drop it, at least for now? I have an early faculty meeting.”

“Ah yes, a faculty meeting,” Angela said, her voice heavy with irony. “Ever wonder what your colleagues would think if they knew the truth about why Rob has been away so long? I’ve never told anyone what you did, you know. I’m too ashamed.”    

They stared at each other for several long moments before Angela’s face softened.  “You’re right, this isn’t the time,” she said. “Any more thoughts about my story?” 

“No, that’s all. I’m sorry I had to be so negative.” 

“Don’t apologize,” she said. “You’ve been very helpful. Go on to bed, get some sleep.”

Two hours later, Angela peered into their bedroom. Roger was curled up on his side of the bed, and seemed fast asleep.  

She moved on to Roger’s study and rummaged through his desk until she found his copy of the story. She glanced at his red-penciled comments before tearing each page into small pieces, which she flushed away in a nearby bathroom. She next entered the kitchen and went to the oak block that held their cutlery. Without hesitation, she withdrew the six-inch chef’s knife. Well-balanced and razor-sharp, it was her favorite. 

Holding the knife at her side, she returned to their bedroom and stood in the doorway, watching Roger sleep. After several minutes, she took a deep breath and approached the bed. Her right hand gripped the knife, its gleaming blade now raised and poised for a downward thrust. Her other hand was extended toward Roger, ready to give him a little nudge, just enough to make him roll over and expose his throat. 

The author is a social psychologist living in the Pacific Northwest, now writing short fiction. Her previous work (“Amber Learns to Drive”) has appeared in Out of the Gutter. Rose Lee-Delgado is a pseudonym.

Where the Bodies Are

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Counting the sins of a sociopath is like guessing how many jelly beans are in the giant jar at the candy store.

It's nice when someone can cut through the chaff and give you the greatest hits.

Where the Bodies Are by Keith Rawson



The first one was when I was seventeen.

Seventeen and passed out at the house of a stranger. 

Not really a stranger, some kid named Billy who I sold pot to and the occasional quarter bag of mushrooms to. He considered me a friend, but all he was to me was fifty bucks every other week.

A tank of gas and a carton of smokes.

I'm sure we would've been friends if we went to same school, but you know how that goes.

He'd been telling me for a week about this party he was going to have when his parents went on vacation to Florida.

Dude, it's going to be so rad. My cousin is going to buy a couple of kegs for me. It's going to be awesome.

I went out of boredom and because my mom had ripped off my stash again and I beat the shit out of her for it and her then boyfriend Brian, or Scott, or Tim, or whoever was looking for me so he could return the favor. I hadn't figured out yet that 99.9% of what mom's boyfriends said was complete and absolute bullshit and they only threatened me so my mom would share the dope she'd skimmed off of me.


Anyway, went to the party, ended up making out with this redhead nobody knew. We were peas and carrots because nobody but Billy knew who I was.  We were making out in a quiet corner of the house and decided to move into one of the bedrooms. She passed out right as I finally got her panties off. Don't worry, though, I was a gentlemen and rolled over and went to sleep. Woke up, redhead had a mouth full of vomit, her body turned cold and blue. I dragged her into the room Billy was sleeping in. He was ass naked with his dick in his hand. It was sad, the host of the party and he couldn't even get laid at it. At least he'd think he'd gotten it wet, and then spend the next couple of years in juvie for involuntary MS.

The second one was the same as the first. Dorm party, pretty blonde, we geezed before making out and then nodded. Woke up, she was blue and bloated. I slipped out at 3 AM, the party still swimming around me.

The third was Sam and her kink was to be punched in the face while I fingered her. She never wanted to fuck, she said the feel of a penis inside her made her gag. The second time we were together I asked her why she didn't just get together with a woman?

I'm not gay. Besides, women have no upper body strength.

Fair enough.

I liked Sam, she was funny, smart, into comic books and cool movies. Plus she could narcotics me under the table, which was saying something. But thanks to all the cuts and bruises, going out and grabbing a burger was more uncomfortable than kestering a ziplock bag of jagged rocks.

Sam went how you'd expect her to: My left hand working her into a lather, my right balled into a fist banging down on her forehead, her nose, her lips, her chin.

Unlike the first three, I cried over Sam. The other three, there was a disconnect, not with Sam.


Niagara Falls, baby.

I spent 24-hours with the body, pacing, smoking, drinking, trying figure out my next move. In the end, I loaded her into the trunk of her Volvo through the garage, drove to the desert, doused the car with a couple of gallons of gas and let it burn. I wandered around the desert for a couple of hours after burning the car, covered in soot, tears carving small valleys into the black of my face. I thought about just laying down, letting dehydration and heat exposure do the job. But after a few hours of boiling, I got up, made my way back out to the road, put my thumb up. The trucker who picked me up didn't even blink when he stopped for me, but I'm pretty sure he was tweaked to the gills and needed a sounding board for the awful thoughts bouncing around his skull.

Number four was mom and that bitch deserved what she got. You can only steal from somebody for so long before said somebody replaces his stash of smack for a baggy of rat poison. I mean, fuck, the two powders didn't even look alike. But I guess when you're jonesing, clorox looks like coke; rat poison looks like high end China white.

Mom wasn't going to go like Sam. Sure, I could've gone to the trouble of driving the corpse out to the desert staging an accident, blah, blah, blah, but there still would've been questions. I lived with her, it was known in all the wrong circles that I was a dealer and she was a junkie. Plus her newest pimp/connect/cock in her ass was a narc for the Chandler PD. Dude was bugshit for mom; dude was Obsessed with a capital O, and I'm positive he would've set the dogs on me, and after a two year possession stretch in Florence, there was no way I was going back there on a lifetime murder beef.

So I went proactive, headed to Sky Harbor International with my passport, bought a ticket to the land of milk, honey, and hot and cold running underage gash: Thailand.


It ain't been so bad. It reminds me a lot of home: Dope, heat, horny girls willing to do anything for a couple of grams. But I get lonely. I get real lonely.  All the English-speaking ex-pats here are freaks, all the girls care about is my dope, but worst of all, I keep thinking about Sam. I keep thinking about the girl at Billy's party. About the girl from the ASU dorm. I even in think about mom here and there. I think about all of them. I carry them around with me, their bodies rotting around my neck.

I've decided to become #5

I've bought two girls for the night. They're slim and brown and courteous enough to use make up to cover up the track marks. One will be in charge of the front, the other from behind, pulling tight on the belt around my throat. 

My safe word is banana, or something like that? 

Keith Rawson is the author of over 200 short stories, articles, interviews, and essays. He lives in southern Arizona with his wife and daughter.

Transparent / The Fugitive Slave Act

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I met Peter Mehlman, a former writer for Seinfeld, when I was reading at this years Miami International Book Fair. We were on a panel together. Yada Yada, Shrinkage—I told Peter I should pay him royalties for how often I quote his work.

Looks like Ill owe a little more.

Transplant and the Fugitive Slave Act by Peter Mehlman



Transplant

Speaking at the penalty phase for Doug, the organ-donor administrator, were former victims of alpha-1 antitrypsin deficiency, leukemia, obstructive uropathy, valvular stenosis, and a once blind girl who invented a digital movie camera that made people look ten pounds thinner.

On a porch with dry rot, Doug’s ex-wife inadvertently said, Your son is in better places.


The Fugitive Slave Act

The tornado spun Myra’s Hyundai through a stop sign. The priest said the Hyundai shows how sensibly Myra lived.

“God’s will . . .” he said.

The chief of police whispered to his smiling wife, “God's will what?”

She said, “Gods will put stop signs in perfect places.”

The chief got the warrant for God’s arrest although the judge said, “He could be miles away by now.” 

Peter Mehlman was a writer for the Washington Post and SportsBeat with Howard Cossell before moving to Los Angeles and becoming a writer on Seinfeld. He recently published his first novel, “It Won’t Always Be This Great.”

Brit Grit Alley

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Brit Grit Alley features interviews, news and updates on what's happening down British crime fiction's booze and blood soaked alleyways.

By Paul D. Brazill 

This week down Brit Grit Alley, I give you a few Brit Grit recommended reads.

“Hale knew, before he had been in Brighton three hours, that they meant to murder him” 

From its brilliant opening line,Graham Greene’sBrighton Rock(1938) grabs you by the throat and almost strangles you with its intensity. The lives of fanatstically rich characters, such as big hearted Ida Arnold who is investigating Hale’s murder and Pinkie, the psychotic young gangster, intertwine in a gripping novel that is well-deserved of its classic status. The seaside town of Brighton itself is also one of the book’s strongest characters, as the glitz and grit collide.

Cathi Unsworth‘s marvelously atmospheric Weirdo(2012) also takes place in an English seaside town, the fictitious Ernemouth. Again two sides of the town are contrasted with bright lights hiding dark and dirty corners. A private detective investigates a 20 year old murder and unearths some nasty secrets. Weirdo cleverly takes place in two time periods (2003 and 1983), is populated with great charters and has a vividly, strong sense of time and place.

Detectives Zigic and Ferreira are back, and a welcome return it is, too. As in Eva Dolan‘s marvelous debut novel,Long Way Home, the prickly duo investigate a murder which leads them to dig deeply into Britain’s immigrant communities. The sequel, Tell No Tales, is an engrossing, marvelously well-written and perfectly paced police procedural that takes an uncomfortable look at the lives of those at the bottom of British society. Zigic and Ferreir are strong and very likable protagonists and, like the rest of the characters in Tell No Tales, are completely believable. Tell No Talesconfirms Eva Dolan‘s position as one of the the UK’s most powerful social-realist writers.

Richard Godwin’s Confessions Of A Hit Man is the violent and action-packed story of an ex-marine who becomes a globe-trotting contract killer. A marvelously, hard-hitting slice of international crime fiction.

Down Among The Dead by Steve Finbow is the brilliantly breathless, brutal and lyrical story of a retired IRA gunman facing up to his past. Published by the splendid Number Thirteen Press.

Micheal Young’s Of Blonde’s And Bulletsis the story of a man in the wrong place at the wrong time. Hard-hitting hardboiled crime fiction. An absolute belter. Published by Number Thirteen Press.

U.v ray‘s brilliant uber-noirSpiral Out opens up with Mark Karzoso on the phone to his father, asking for his help to dispose of a body, and before you know it we’re sharply hauled into Karzoso’s deliriously nihilistic world of misogyny, misanthropy, drugs, booze, bad men and women. Spiral Out is a like a whip-crack. A short and painfully sharp shock to the system. A kick in the eye with a stiletto heel. Spiral Out is limited to only 200 copies so you’d best grab it asap from here, or here.

Published by Pendragon Press, Mark West’s Drive is available as a limited (to 100 copies) edition paperback (which contains an exclusive afterword) and unlimited ebook, across platforms.
“Drive takes you for a journey down the darkest alleyways of human savagery.
A fast paced, high tension thriller that delivers on all fronts….”
- Jim Mcleod, The Ginger Nuts Of Horror

“Drive is a gripping, tense urban noir with prose as tight as a snare drum…”
- Paul D. Brazill, A Case Of Noir, Guns Of Brixton.

“Mark West writes the kind of fiction that gets under the skin where it lies dormant until you turn out the lights …”
- Dave Jeffery, author of the Necropolis Rising series

Get Drive here.

And watch the trailer here.

 There'll be more carryings on down Brit Grit Alley very soon, sorta kinda thing, like.

Paul D. Brazill is the author of A Case Of Noir,Guns Of Brixton and The Neon Boneyard. He was born in England and lives in Poland. He is an International Thriller Writers Inc member whose writing has been translated into Italian, Finnish, German and Slovene. He has had writing published in various magazines and anthologies, including The Mammoth Books of Best British Crime. He has edited a few anthologies, including the best-selling True Brit Grit– with Luca Veste. His blog is here.



Trustee

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For many, being locked away in prison means a feeling of control, a measured environment where you at least know the dangers you face.

Inside, it's only the prison you fear, not the wrath of God.

Trustee by Liam Sweeny



The lights went out this morning. Those emergency hall lights are out too, so I know one thing – the generator blew. Can’t say I’m surprised. It was a damn hurricane. But people are talkin’ through the pipes, shouting across the cell-block. Can’t hear shit but that the water’s coming up outside, hard. The levee must have topped. Maybe they all did.

I’m not shoutin’, though. I spent five years as a trustee in Angola. Took me two years to build up that kind of trust. Now I’m lookin’ at a fresh five year bid for pocketing ten large from a Bourbon Street bar, a neon rum-slushie joint for brats who couldn’t handle a real drink.

But I got a situation here. I’m on the ground level. I’m starting to see a thin pool coating the floor. There’s a small line of inmates chained to each other coming down from the upper blocks, and I’m thinkin’, what about me? I know these guards. I’m nice to them, ask them how their families are doing. I know there ain’t trustees in county jail, but damned if I shouldn’t be in that first wave.


I see Deputy Casmrack walking down. He’s the sergeant in charge of the block. I call him Sarge.

“Sarge,” I say through the bars, “am I getting’ out of here?”

“I won’t let you drown in here, Henri. You’ll have a chance. I’ll be back,” he says. Then he takes off to follow the line.

Something’s weird. His eyes were impassioned. Now I like the guy and so on, but that look, impassioned, we ain’t like that. I don’t go that way. But the water’s climbing to the tops of my sneakers. I’ll go that way if it gets me the fuck out of here.

On and on they go. So now I’m really thinking what the fuck? Then Sarge comes back. He’s got the keys out. Thank you, sweet Cajun Jesus!

He holds up his key ring. I’m lookin’ at the fat silver one that pops open my cage.
“Don’t have much time,” he says. “Here’s what’s gonna happen.” He’s scratching his legs, his pants soaked and slick.


“The city’s fucked,” he says. “A fuckin’ war zone. Levees breached, that’s talk, but everything’s down. Cell towers, TV, internet… Can’t find out anything but what the next guy says.”

“Wait, how do I get out?” I say. “You lettin’ me out?”

He shakes the keychain. “Like I was saying, it’s a war zone. We took the small-time people. We probably can’t hold onto them out there.”

“You’re not letting me go too?”

“The small silver key, see it?” he says. “That one unlocks the warden’s office. There’s a shotgun, over-and-under and boxes of shells in the vault. That’s the little gold key. We left some inmates. You gotta do us a favor. You were a trustee once.” The water was creeping along the bottom of my shins.

“The worst of the worst are in the dining hall,” he says. “Rapists, child killers, pure predators. We can’t take chances.”

The way he’s talkin’, I’m starting to think he’s out his lovin’ mind. “You want me to kill ‘em? How? You gonna let me out?”

Sarge looked down the block, the way that leads out.

“I gotta go,” he says, and he drops the key ring right in front of my cell. I watch it disappear into the murk.  “Just make it to the second level. We’re locking the doors from the outside.”

“Wait, that’s it?”

“You’ll be the only one with a shotgun.” Sarge wiped his brow.


“Good luck,” he says as he’s heading for the drowning city. I sink down on my knees fishing for the key ring. It’s like shit water, smells even worse. The water’s near my kisser when my hand finds the ring and I pull it into the cell. Unlocking the door turns out to be harder when you’re doing it from the inside.

I hear pounding on the dining hall doors upstairs as I finally get the damn thing open. The scum soup is up to my jewels, and I slosh water for the warden’s office, hoping Cajun Jesus will bless me with good aim.

Liam Sweeny is a crime writer from upstate New York. His work has appeared in various publications, both online and in print. When not writing, Liam is involved with disaster response and preparedness. His anthology, Dead Man's Switch, is out now!

Not Ten?

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The devil is in a red dress. The devil is in a blue blue dress. The devil is in the details? Man, that fucker gets around.

Well, you know what they say. The chase is half the fun.

Not Ten? by TM McLean



I didn’t mess around. As soon as I knew what the deal was, I went after that shitbag, Julian. It wouldn’t be too hard to find him; there were only a few places he was likely to be. So I ignored the pleasant temperature and the cloudless blue sky and I stomped off to find him. I didn’t have any friends around me and that made things even worse. They had been due to fly up from London the day before but some crappy volcanic eruption in Iceland had grounded all flights. 

That made it even worse. I was foaming. It was only ten o’clock and I was already angrier than I had ever been. 

Being alone in Gateshead—my least favorite place on Earth!—without any friends or family nearby was bad enough ... and Julian had the fucking nerve to let me down. Well, he was going to pay for that, the bastard. 

It didn’t take long before I came across one of his minions. Not surprising really, since I was outside of Julian’s father’s restaurant. Neither Julian nor his father was anywhere to be seen, but the guy who was there quickly gave me a lead. It’s amazing how quickly you get answers when you grab someone by the nuts, especially if you grab them hard. He told me what I wanted to know and I kicked the shit out of him anyway. It felt good. 

I left the loser crying on the floor like a girl. I doubt his mother would have recognized him. Well, his mother maybe, but definitely not his dentist. While he was still able to talk he managed to croak out that Julian was staying at the Hilton. That shit-sack was out living like a king while I was left high and dry. 

That was about to change. 

The stupid bitch at the reception desk looked at me like I was a complete moron. I gave her Julian’s name, and she told me that she wasn’t authorized to tell me which room he was in. The blood from the restaurant geek was still on me and I could see the receptionist was nervous. She probably would’ve phoned the police, too, if I hadn’t jumped across the table and busted her head open with her own high heel shoe. I stuffed that idiot into the cleaning cupboard. No one was around to see, and I didn’t give a fuck about the CCTV. 

I’m pretty sure she wasn’t dead. 

Modern technology is pretty useful. It took me about two minutes to find where Julian was. He was only staying in one of the best rooms! 

I was getting angrier with every step. The lift was slow—really slow—and I clenched my teeth the whole time I was in it. If it had taken much longer I would’ve ended up like that freak back at the restaurant. 

The doors slid open and I stamped down the corridor. My thoughts were all about Julian. Yeah, he might have been a big shot coke dealer in Newcastle, and he might well spend more time in the gym than most people spend breathing, but he wasn’t going to be any match for me. Not on that day. 

His room door was before me and I took a couple of deep breaths. My fists must have been clenching pretty tight by my sides, because I felt my nails break the skin. I hammered on the door. 

No answer. 

I kicked it instead, again and again and again. “Julian!” I shouted.

Still nothing. 

He wasn’t doing anything to help his situation ... all he was doing was making me crazy. I tried the doorknob and was surprised when it turned. Did I really want to confront Julian? 

Too fucking right I did. 

The key card used to unlock open the door was sticking out from a slot on the wall, activating the electricity for the room, and telling me that Julian was definitely there. The TV was on, some crappy American cop show filling the room with sirens. No wonder Julian hadn’t heard me thumping on the door. I couldn’t wait to see the bastard’s face. 

The main room was empty and I was almost about to give up, but then I heard a cough outside. He was on the balcony. 

I took my time, picked a cigarette out from the packet on the table and lit it up. A good lungful steadied me and I was ready to face him. I pulled the curtain to the side so that I could look out through the sliding door. 

Then it was my turn to be surprised. 

Instead of Julian, I was faced with another of his minions. A bucktoothed halfwit called Henry. He spotted me too. “You’re not supposed to be here,” he said, showering the comfy looking seats with spittle. “Julian won’t be happy about this!” 

“No?” I said and took another drag on the cigarette. “Are you happy to see this?” I flicked the burning cigarette at his face. If he’d had the sense to say something else he might have been able to extinguish it, but instead it hit him right in the eye. He screeched like a baby, making it easy for me to tip him over the edge. I watched him fall all ten floors, and watched as he hit the ground. It wasn’t as loud or gory as I thought it would be. 

A noise from inside the room made me turn. It was him! 

Julian had a towel wrapped around his waist, showing his powerful abs and shoulders. His black hair was slicked back and a day’s stubble decorated his face. He looked every bit the Italian movie star-like gangster, which was of course exactly what he was. 

“Julian, you fuck-whore,” I said as I stepped back into the room. 

The look of surprise on his face was thrilling, but his raised eyebrows soon became furrowed. “What the hell are you doing here, babe? We’re due at the Civic Centre at twelve—that’s in half an hour. And your dress! You know it’s bad luck for me to see you wearing that before the wedding.” 

Shit, I thought, did he say twelve? Not ten? 

TM McLean (Tim to his friends) is not only a great guy, he’s also a pretty awesome writer. Don’t believe that hype? Well, you can check out his Amazon author page here: http://www.amazon.co.uk/T-M-McLean/e/B00IFXOLE0 where you’ll find an ever increasing number of publications featuring his work. If you were to buy some of his books, it’s pretty likely that Tim would think very highly of you. Let him know all about it on Twitter @TimMcLean2.

Lady's Man

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Remember that song, Looking for Love in All the Wrong Places?

No question in our minds, the Gutter is definitely the wrong place.

Lady's Man by William E. Wallace



The loud blonde sitting near the jukebox looked pretty put together: dark lipstick, heavy liner, thick black lashes.
That's why they keep bars dark.
Up close you could see she was neither pretty nor put together. The skin around her neck quivered when she laughed, a sign she was on the downhill side of 40. The lashes were fakes. The heavy liner covered up little cracks at the corners of her eyes.
She had an inch of mousy brown at her blond roots and the spandex leggings she wore not only showed off the cellulite dimples in her thighs and ass, but were short enough to expose the spider veins above her ankles.



Louis Henley pulled at the PBR he had been nursing for the last 45 minutes and watched her tease the dude with the pony tail sitting next to her. The stud keep grinning at her and pawing her rear end. The guy was so eager to get her in the sack, Henley was surprised he didn't drool all over her
Enjoy her company while you can, asshole, he thought to himself. I'm going to be the guy she's with before the night is over.
Mr. Pony Tail had arrived on the Harley shovelhead that was angled against the curb in front, wearing a jacket like the one Brando had on in The Wild One. He pulled it off and laid it over the duck-taped rip in the stool before he sat down. His wife-beater exposed tats he'd picked up at some mall shop, probably the surgically clean type that puts snakes around fat teenage girls' ankles.
Louis avoided skin art because it was too memorable. He wanted to be invisible: clean cut, no ink, hair parted on the side, wearing gabardine slacks, a dark polo shirt and a nylon windbreaker.
He was the sort of guy who wouldn't draw a second look and that suited him just fine. If looks could kill, second looks could damned sure put you in prison. 
The pony tail guy was the opposite. Louis could see women would find him attractive: he looked a little bit like that singer from Poison who wears eye liner. He was ripped, but his muscles were the kind you get from machines in a yuppie gym, not the long stringy strips that come from pounding a heavy bag or the hard bulky lumps you pick up hefting free weights in the state pen's exercise yard.
Louis had a different kind of body: one bulked up by doing 20-mile humps with 45 pounds of field gear, a weapon and ammo. The kind you get from advanced hand-to-hand training and killing people with a Becker Utility Knife up so close you can smell the garlic on their breath.
He looked back at the blonde's big breasts and saggy buttocks. Her body was the result of sitting in front of the TV with a pound box of Russell Stover and a bottle of whisky.
All the same, she had everything he was looking for tonight: two tits, a hole and a heartbeat. To another man she might be a woofer, but Henley didn't care. He expected to thoroughly enjoy the time they spent together.



Each time Louis took a hit off the long-neck, he let about half of the beer slide back into the bottle before he lowered it. It made the brew warm and nasty, but it was necessary: he didn’t have enough money left to get a righteous buzz.
He'd been flush when he hit town four and a half weeks before. He had a little more than a grand in his pocket and he got $200 from some kid in a bar for the Chevy pickup he'd driven in from Laytonburg.
He'd been feeling generous enough to warn the kid he was going to have to change the plates on the truck if he was going to keep it himself. Even the dumbest hick cop can read seven numbers off a hot sheet.
By paying for his room a week at a time instead of the hourly rate most customers ponied up, he'd managed to make the money last, though he was down to his last few bucks. He'd had good luck with the ladies during that time, too, enjoying a new one every other night.
He did love the ladies. They were his biggest weakness.
Anyway, Henley didn’t want to get a heat on. He intended to be completely sober when he hooked up with the blonde later.
For her part, the blonde was banging down Ancient Age like she’d just spent a week in Death Valley without a canteen. She’d tossed back a shot of well bourbon every ten minutes since she walked through the door. If it'd been Louis, he would have been completely glassy-eyed.
From the come on she was giving Mr. Pony Tail, he gathered she was one of those ladies who likes to chase men that are half their age. What was it they were called?
Cougars, that was it.
Louis smiled to himself. He’d enjoyed a lot of pussy, but he’d never been with a cougar.
The loud blonde scooped up a handful of change from the little pool of water on the plank in front of her and slid off her stool. She stumbled as she did, and the Harley stud had to help her remain upright. She giggled into her hand, dropping a couple of coins on the floor and supporting herself with the stool when she bent to retrieve them. After recovering the money, she reeled to the music machine and fed it, punching in numbers without even looking. 
Louis shook his head as he watched her. He didn't mind a woman who liked to party, but too much booze and they weren't as much fun. He hoped this one hadn't overdone it.
The jukebox whirred and slipped a CD into the tray. Patsy Cline began walking after midnight. The blonde used her hand to pat time on the jukebox, then pivoted and did a few perfunctory steps, front to back, side to side, as she returned to her seat.
Henley liked the way she wiggled her ass when she sashayed.
When Patsy got finished, Hank Williams would sing “Your Cheatin’ Heart.” Then Patsy would do “Crazy” and Eddie Arnold would warble “On the French Riviera.”
Louis knew this because the blonde had already gone through those four songs three times, stacking the change from her shots of whisky into little piles of jukebox money until she had enough to spin the quartet of hillbilly weepers.
Louis preferred metal bands like Metallica, AC/DC and Anthrax. His bunky buddy Slim Cassidy had turned him onto metal during the four years they'd spent in Al Anbar, killing Ali Babas for the 101st Airborne. He'd probably still be there except a rag-head sniper had sold Slim the farm toward the end of his second tour.
Iraq wasn't much fun with Slim, but it was like one of the outer circles of hell without him. That's when Louis decided it was time to get back to the world and see how a civilian could use some of the skills the Army had taught him.
He might have been able to find steady work, what with his letters of commendation and the chest candy he'd picked up during Iraqi Freedom. But the ladies always seemed to get in the way.
He just fucking loved the ladies. Probably more than was good for him.
If his wallet had been fat, Louis would have been feeding the J.P. Seeburg himself. But he had been in town for more than a month and he was running out of cash; flat, warm beer and other people's music was about all he could afford these days. That's part of the reason he was planning to leave town.
The other was Jackie Willoughby.
Yesterday morning he'd been sitting in a coffee shop on Main, finishing his second cup when he spotted a guy in a soiled suit and stingy brim on the other side of the street. He was certain it was Jackie.
Willoughby, his nemesis: a private dick from Pittsburgh who had been hired to track him down by the parents of a girl Louis had picked up there.
Louis had enjoyed the night; the girl, not so much.
Her parents, not at all.
If Jackie Willoughby was in town, Louis wanted out of it, ASAP. Willoughby was easy to underestimate. That's how Louis had almost ended up under arrest in Scranton. And Detroit. And Miami.
By the time he narrowly evaded getting grabbed by the rollers in Atlanta, Louis realized the shabby little peeper was tipping the cops where to find him. Willoughby always seemed to know where that was. Louis's latest layover was the longest he'd stayed anywhere before Jackie tracked him down.
Louis hated Willoughby as much as he loved the ladies. Jackie, though short, bald, gimpy and overweight, was the only man on earth who actually frightened him.
Henley watched the stud get up and fondle the blonde's ass as he whispered something in her ear. She grinned like she'd just hit the Superlotto and watched Mr. Pony Tail cross the floor to the men's room.
Louis waited about 30 seconds before he followed him. In his experience, thirty seconds was the maximum attention span of the average bar fly. It was just long enough that nobody would remember him later when the cops started asking around.

***

The shitter was typical dive bar material: a sink with black showing through the chipped enamel, two stalls with piss-stained toilets, a broken dispenser with loose towels piled on top, and a bucket with a brush and plunger in two inches of gross-looking water.
The biker was standing at the sink, peering into the cracked mirror while he used both thumbnails to work on the blackhead on his chin. He glanced at Louis with disinterest and went back to work, digging at the waxy plug in the pore.



It popped loose suddenly in a little blob of yellow pus that glued it to the mirror, right below the crack. Mr. Pony Tail leaned forward to examine the tiny crater it left in his face as a drop of blood began to well.
"Nasty," Louis said, making a face.
The biker stud turned to him. You didn't have to be a doctor to know he was tweaked to the hairline: his eyes were so dilated they looked like manholes and the big vein in his temple was throbbing.
Louis buried all four inches of his switchblade into the biker stud's six-pack, angling the steel up under his sternum and directly into his heart with one stroke, then turning it slightly to his left. Death was instantaneous, as the coroner would later say.
It was better that way: when the heart stopped beating, the blood stopped pumping. Louis didn't want to skate around in a big pool of Mr. Pony Tail's gore as he rifled his pockets, tucked him into one of the stalls and locked it from the outside with the edge of a quarter.
He pressed the button in the knob to lock the door and turned out the light as he left, just to make sure the body wouldn't be found too quickly. With a Sharpie he wrote OUT OF ORDER -- USE WOMEN'S on a paper towel and used the Dentyne he'd been chewing to stick it to the men's room door.
When he got back to his stool, he noticed that the bartender had removed his beer bottle. Louis didn't care: he wouldn't be staying much longer anyway.
The blonde craned her neck to look for the biker. Louis studied her in silence, watching her irritation grow as Mr. Pony Tail failed to reappear. Finally, she gathered her bag off the counter, rose and walked to the bathroom herself, only to return a moment later, angry crow's feet lined up next to her eyes like tracks left by her fake lashes.
The bartender said something to her that Louis couldn't hear.
"The sonofabitch left," she said, her voice cracking. "He must've gone out the back or something. Fucking bastard!"
She looked like she was going to be sick, but managed to hold it down.
Finishing what was left of her Bourbon, she slung her bag across her shoulder and dropped a couple of wrinkled bills on the table before walking out, listing slightly to her left. Louis followed his 30-second rule then slipped off his stool and walked out. Nobody noticed.
He spotted the baggy blonde under a streetlamp a half block away and closed the distance during the time it took her to reach a little alley and turn in. His Johnson was so hard by the time he got halfway to her that he found walking painful. He hoped she wasn't too drunk to respond.
Just inside the opening, she was stooped over and retching. The puke gushing out with each spasm was light brown and mostly clear: there was probably nothing in her stomach but liquor. Louis looked at the size of the pool at her feet and was surprised she hadn't blown chunks back in the bar.
He squatted beside her as her right leg went out and she sat down heavily next to the puddle of barf she'd made.
"You okay, honey?" he asked, touching her gently on the shoulder. He was afraid to apply too much pressure: it might flush out another belly-full of puke.
She looked at him with that blank stare people have when they're so drunk they're almost unconscious. It was clear she hadn't noticed him in the bar earlier, even when she first started drinking.
"Hunghh!" she mumbled, wiping threads of mucous from her lips with the back of her hand. "Jus' a little sick, tha's all. No problem."
Then she retched again, spewing a stream of clear liquid onto the ground.
"Let me help," Louis said, using his hand to gently sweep her hair back from her face. She was flour white from nausea, but his voice comforted her and she gave him a weary smile of thanks. When he touched the side of her face with his palm, she nuzzled it gratefully.
Usually he spent a lot more time on his "dates;" The girl in Pittsburgh -- the one whose parents had hired Jackie Willoughby -- lasted nearly the whole night long.
But he was worried someone would find the biker in the toilet before he could start the guy's Harley and hit the road for Mississippi.
So he pulled the blonde's head back and slid the blade of his switchblade across her neck, severing the hyoid and slashing through the carotid and jugular on both sides.



Her eyes widened with surprise and she made a gurgling sound as blood surged into her throat. Louis gently held her head until her spasms ended, cooing to her with his mouth only inches from her ear.
"There, there, honey," he murmured, his voice a hoarse whisper. He legs trembled with excitement as the life pumped from her body onto the pavement. "It'll all be over in a minute or so."
She wheezed and sagged back against his chest, her eyes staring at nothing. As she shuddered and took her last breath, he felt himself climax, pumping his trousers full of warm, sticky fluid that left his crotch dark and wet.
Louis lowered her carefully, straightening her legs and wiping the switchblade on her animal print blouse. He folded the knife shut and put it in his pocket, then gently closed her eyes with his fingertips.
Smiling, he looked down at the blonde. It was hard to tear himself away from her but the highway called him.
"Thanks honey," he whispered, kissing her gently on the forehead. "You sure know how to show a guy a good time."


William E. Wallace has been a private eye, house painter, cook, dishwasher, newspaper and magazine writer, journalism professor and award-winning investigative reporter for the San Francisco Chronicle. Wallace has written three novels and a novella. His short stories have been published in All Due Respect (which nominated The Bust-Out, for a 2014 Pushcart Prize), Shotgun Honey, Out of the Gutter Online, Crime Factory and Dark Corners Pulp. He also has short fiction awaiting publication in Spinetingler, Over my Dead Body and Plan . A Dead Heat with the Reaper, a book of his noir novellas, is scheduled for release by All Due Respect books in August. He is currently working on Bottom Street, a novel.

A Burning Thing

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On the outside, they call it lies, damned lies, and statistics.

Here in the Gutter, we call that a Wednesday night. Its also, coincidentally, how legends are born...

A Burning Thing by Mel Clayton




All of us think we have our Anna stories. I got Slice’s by a roaring fire in a dark bar. Deer antler chandlers. A large painting of red horses at the entrance. Either Wyoming or Montana. Slice leans back with a cigar and says, “She’d ride that fat hairy fuck every night.” He flicks ash onto the floor, takes a sip of whiskey. “From some shanty town. Tony was Angel’s driver at the time. Said Angel gave the family around two hundred bucks to take her off their hands but that was charity. He didn’t have to pay a cent and they knew it. She was gone either way.”

“What she look like?”

“Long dark hair. Petite. Big set of tits. Decent ass. Green incomparable eyes.”

“Incomparable?  Where’d you hear that word?”

“Read it on a bathroom wall. Only it was incomparable cock.”

“When did you meet her?” I’d heard other descriptions of Anna. Some said she was tall. Some said she was blonde. All scuttlebutt. I was hoping for something reliable.

“Oh I never saw Anna. I got most of my info from Diamond. Back when he could still talk right.”

“Hard to square details blinded by lust. Why’s he out to kill her?”

“You don’t know? Diamond, his job was to guard the bedroom door. Watch her undress. Check her for weapons. Watch her climb on top of Angel and grind away. Angel, he took a lot of Viagra so this would go on until he was bored. I don’t know what went through Diamond’s mind during the sexcapades, but I can probably guess. Tinker, from Philly, said he got it from Miguel who says Diamond confided to him that he fell for her. Felt sorry for her ’cause she was like a beautiful bird being plucked away, molested and beat. Forced to do humiliating things to arouse Angel.”

“Whole sympathy bit don’t sound like Diamond.”

“Yeah. He was different then. He got it in his mind to save her. Anna planted the seed. The night of the shootout in Juarez, the night Diamond gutted Angel, they fled through the dessert home free. That’s when she stabbed him in the throat and took off. Broke the bastard’s heart. But him gutting Angel put him in good with Herbert once he took over.”

Then there was Mint Jackson who told me about a time in Arizona when they found her apartment, convinced they had her. Only it was rigged with some kind of contraption where a bowling ball drops on a scale that bumps a switch that pulls a string that lights a match that ignites and burns a silver strip that burns a ball of paper that lights a fuse that sets off a line of sparklers. Fucker was so busy following the chain of events, he didn’t realize he’d been shot from the right by a mechanism with a string on the trigger until he was on the floor, bleeding all over the place. Some real Home Alone shit. Mickey says it’s all bullshit. That Mint and Diamond never came close to finding Anna. But Mickey calls bullshit on every story.

Three years later, I’m standing outside this soggy air conditioned neon nightmare in Florida, smoking a joint, thinking over the tall tales and asking myself the meaning of life; more specifically why I waste my time going state to state with a mute Mr. Potato head like Diamond Danny. Meanwhile he’s out buying pork rinds and pop. 

In Florida you expect to be chased back inside by mosquitos, or at the least humidity. Not by a murdered-out Camaro SS. It’s parked by the dumpsters. I notice it once I hear the engine race and the tires start squalling. Panic sets in about the time I realize the Camaro is gunning right for me, and like a cat caught in a rainstorm I don’t know which way to go, and race into the hotel room just as the car splinters the doorframe.

I’m sprinting for my gun in the closet when a woman yells, “Hey! Fuckface!”

I wouldn’t normally assume “fuckface” was in reference to myself, but I was pretty sure she meant me. She’s standing there, long lavender hair, holding a pump-action shotgun under what I’d call average tits at best. I put my hands up like they do in cop shows and there was an urge to say something, beg for my life maybe, but instead I slide to the floor, breathless mouth open, while she blows a hole in the mattress sending decades of bedbugs to dust.

She throws something onto the bed that burst into flames. She says, “Tell Danny I said Tag you’re it motherfucker.”

I stutter the words, “Who-who-who should I say is calling?”

She smiles. Says, “I’m going to like you.” Then blasts the television off the dresser, yells at a neighbor to mind her own fucking business and jumps back into the Camaro.

After I regain mobility, I fumble around in the closet for my gun. Smoke fills the room and within minutes the walls, my luggage, the curtains are all licked with flame. By the time I reach the door the sprinklers are on, the alarms blaring and the Camaro is peeling out of the driveway heading for the interstate. 

Danny pulls in and I’m standing in the middle of the parking lot, soaking wet, holding a gun. Smoke billowing out of our room. He slams on the brakes. Stares at me through mirrored sunglasses then starts pounding the steering wheel, the dash, the ceiling. Though I can’t hear him, I know he’s using what vocal capacity he has to scream profanities.

All I can think is what the boys will say when I tell them and how I think I’m in love. Mickey will say the whole thing is bullshit.

Mel Clayton is a graduate of the University of North Carolina at Wilmington. She is a North Carolina native but has lived in Arizona and Texas. Her most recent story, “Hard Concession," is online now at Shotgun Honey. You can find more on her writings and links at www.melclayton.wordpress.com

A Love Letter to Squeakie Pelham

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For the past two years, I’ve tried to come up with a clever and original introduction to each story, like The Twilight Zone on meth, welcome to the hellhouse; this is life in the Gutter.

I have no set-up for the next story. You people are sick.

A Love Letter to Squeakie Pelham by Salvadore Ritchie




Huey Lewis and the News asked if I believed in love. I answered back with an emphatic YES. Why else would I have shaved every bit of hair off my body and slicked every bald inch with Tara Thunders Cinnamon Flavored Erotic Grease? I did it for my betrothed. I did it for Squeakie Pelham. I did believe in love. In fact, love was the reason I decided to fight.

I was thrashing around, slippery as an eel from an intruder in my house trying to shoot me or kidnap me or something. Naked, bald, vulnerable, I decided the best defense was a good offence. I had slid towards him on one heel and slammed right into his chest, locked in mortal combat. Being a short, skinny man, I used the only two assets I had—a Tara Thunders grease-drenched body and a vintage gold-speckled motorcycle helmet. I put it on earlier while sitting in the closet, snorting the last of my three eight balls. I felt safe in there while waiting for my betrothed to return with more powder. Upon impact, I wrapped one leg around his and locked his chest to mine. I went for the gun. My goal was not to remove the gun from him because, like Squeakie, he had at least a foot and fifty pounds on me. The goal was to grease it up enough with Tara Thunders’ slather that I would have a clean shot at getting away before any pops from his piece. I slammed my helmet against his chin because I was too short to reach his nose. Stunned, he grunted and stepped back with the leg I was locked on. With that precious second I simply rubbed his hand and the gun down. Then I rubbed more cinnamon erotica into his eyes. 

Dah! Was all he could get out. 

Now let’s pause here. 

This has been a fast pace tale up to this moment, but I would like to stop for just a second and tell you that there is a point where incredible amounts of cocaine over a long, continuous period gives one a certain super human ability to respond to volatile situations with decisive accuracy. This was one of those situations. (P.S., It also gives one bursts of genius, like surprising your betrothed by shaving every bit of body hair off and drenching yourself in Tara Thunders cinnamon-flavored grease. No sober person could think of such creativity, I assure you. That is erotica. That is romance. That is love.) 

Stunned, slicked, distracted, my assailant was overwhelmed by the cheetah-like nature of my ferocity. This was my opportunity. We were doing close-quarter battle in the second story master bedroom loft that over looked the sparsely populated prefab mansion that I had recently purchased. One of the spoils of a 90 million dollar Power Ball lottery win six months earlier. The loft had a rod iron balcony that offered panoramic views of the open gourmet kitchen and main living room below. 

I released myself from my assailant by a bold jerk back, fueled by a cartel amount of cocaine inside me. With the soles of my feet still slick, I dipped into a slide. Like an Olympian speed skater, I used Tara Thunders erotic grease to hurl myself head first to the balcony. My glistening stomach slammed into its faux Tuscan railing and over it I went, bottoms up. On the way down I flipped twice, legs spread.

In that moment I thought about how profound life was. I thought about Squeakie. I wish I could have climbed her mountain one last time. Maybe this was it. Time does slow in these moments. It’s amazing how fast 90 million dollars disappears, especially with good drugs, illegal cockfighting and mug shots. How fast it all goes… 

Down I slammed into four mattresses Squeakie and I ordered online days before with the plastic wrap still on. The plastic clung as long as it could to my greasy back as the dip finally gave way and catapulted me skyward. Like the space shuttle, I reached a moment of terminal velocity and gravity pulled me back to the only other piece of furniture in the room, a glass table shaped like a painter’s pallet with gold legs. 

Smash, I went right through it. 

My assailant’s gun went off twice as he rolled down the stairs, still greased from my intimate snuggle. 

Despite an almost spiritual numbness from days and days of cocaine intake, I was becoming keenly aware of the different shards that were imbedded in my skin. None the less, I sprang up, knowing I had to warn my Squeakie of the danger. My betrothed!

Head first I went into the ten-foot-tall glass doors that lead to the pool. I guess the glass truly was reinforced because my vintage gold speckled helmet bounced right off of it, sending me backwards and once again onto my back. 

Now I was grunting. 

I flipped over onto my stomach to see where my assailant was.

Relief cascaded through my coke-addled body. He was crumpled up at the bottom of the stairs, a lifeless lump. Perhaps one of those gunshots got him. Perhaps the tumble broke something important. 

I didn’t care. As long as he was dead. As long as I still believed in love

Salvadore Ritchie works as an IT professional at a hospital that handles large trauma and psych units. Shotgun wounds from beef's gone bad or naked maniacs high on bath salts, he sees it all. Sal picks up on stories in the lounge or by watching police sprint down the hall with stun guns ready. His stories have appeared in Pulp Metal Magazine, Yellow Mama and A Twist of Noir. At home he lives with his wife's cats.

The Only Thing That Fits

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If it's true that man's best friend is his dog,

then his worst enemy has got to be MAN

The Only Thing That Fits by Beau Johnson



Four boys playing fort are who found what we’d thought was the second girl, Rebecca Hall, age 12, beat, bloodied and dead.  Last time anyone had seen her was two days prior, a Monday, two steps off her school bus and sixty from home.  Deputy Detective John Batista is the officer who catches the case, me, in turn, becoming his very next call.  A murderer in my own right, I had no problem doing what needed to be done.  Batista, giant, thick, with a face the color of pissed-off brick, knew this as well.  Both of us more than proficient in the art of subterfuge we’d come to utilize.  Seeing we were the very same thing we’d come to hunt meant we pretty much had to be.
              
The autopsy confirmed what each of us feared: rape.  What it also confirmed was that Rebecca Hall was not the second victim but actually the fourth.  Not to be out done, it was the girl’s stomach content which spoke loudest of all.
              
“It’s canine, Rider.  Goddamn bastard fed her her dog.” Even strong men had bad days.  For Batista, this was one. “A Collie named Frank.”

“Narrows it down though, way I see it.”  I was right, of course, and Batista knew as much.  Didn’t mean either of us he had to like it.  Scenarios just worked better this way.  Same thing with plans.
              
Three weeks later---after every vet, pre-vet, canine shelter, dog walker, and pet food store owner are interviewed from Culver City down to Hanson Falls---it’s a man by the name of Gank the CCPD looks at hard.  Inheriting his kennel by way of an uncle who held a different last name, Rudy Gank had come to Culver three years prior by way of overcrowding, early release and a probation system down for the count.  Wasn’t much of a surprise either, the circumstance one the core reasons the Detective and I had begun what we had.
              
Text message received, I find the piece of scum in jeans and a beater T. Thick and wide, he’s packing a bag in an attempt to flee.  It’s as he turns around that I tell him to lie on the ground.
              
“You ain’t no cop.”  Man had me there.
              
“By the time I’m done with you, Rudy, I can guarantee you’ll wish I was.”
              
Fuck and you were the next things that tried to come from his mouth.  Once he regained consciousness I’d already connected jumper cables that stretched from balls to battery and back again.  Juice turned up, the man fries, the world becoming a slightly better place in the process.
              
Or so I’d thought.
              
“It’s happening again,” Batista says, and the look in the man’s eyes tells me more than I care to know.  Turns out Gank had a sibling, a brother, Henry J.  Seems Henry J liked the same things Rudy did, right down to feeding his victims a lighter shade of pink.
              
“I mean, you can’t be fucking serious.”  It was rhetorical, and Batista had said it more than a few times since we’d uncovered the link.  We were at the usual spot, each of us looking down over Culver as it slept.
              
“Doesn’t make a difference, John.  Once we find him, man’s going to die all the same.”
              
“I know.  I know.  But Gank having a partner, a brother no less, and us missing that, it makes me think I might be getting too old for this.”  I’ve seen a lot of things, more than I care to acknowledge.  One thing I know for certain is that true evil is more human than mankind will ever come to admit.  It also lives only to destroy.  Batista knew as much, was the reason he wore the badge, but it also proved that he and I were as different now as we’d been back then.
              
“John.  The man will slip up.  We’ll get him.  I promise.” 
              
And we did, just not as I thought we would, nor when.  Four years and eleven girls later I get the call.  Batista.  He’s at a safe house of mine, one of the bigger ones, telling me he’d finally struck gold.  I move, and fast, as there was something in the big man’s voice.  Shouldn’t have surprised me though, what I found, as the case had taken its toll on Batista, whittling him down bit by bit these last couple years.  Empathy and ineffectiveness will do that to a cop.  Sadly, each is capable of creating the worst type of fuse.
            

“Stop…no…too deep!” is what comes to me once I open up the floor.  The screams accompanying the words are high and full, erupting from a mouth that can hardly catch what it needs to breathe.  What hits me next is the smell of shit that is wet and fresh and round.  As for Batista, he’s there within it, Henry Gank’s pants about his shins, his face against the wall, and Batista up inside him with a piece of rebar that could have passed for bone. 

Batista is grunting, a man determined, but he is weeping as well, and it is here I lay a hand upon his back, and then upon his wrist, and then he all at once stops and relinquishes the steel.
              
“I tried, Rider…thought I could…” he says, and I know how he needs it to end.  I’ve always known.  But we weren't the same, never have been and never would be.  I’d like to say I envy him that, but no, I've too much hate.
              
“I’ll finish.”  I say and then send Batista up a level to clean up as much of himself as he could.  Once I hear the floor door close is when I step towards a face so close to one I thought I’d never see again.  He’d made his way to a corner, a trail of shit and blood snaking the concrete between us. I hunker down, face him, and tell him of his brother; of how that piece of scum had burned and wept and pled before I ripped apart his eyes.  The man starts, snarls, but then stops just as quick, and I can only assume it’s because Batista had taken too much from him.  Never one to look a gift horse in the mouth, I too take something from the man, his jaw, by way of hammer, but before I do he tries his best to stand.  Once up, he glares at me, finally choosing to speak.  “Like I tole your friend, why we did it, why we do, it’s because even dirty bitches need to eat.”   It’s only when the silence comes that I realize the time for talking had already passed.

For those of us who know, it’s the only thing that fits.

In Canada, with his wife and three boys, Beau Johnson lives, writes and breathes. He has been published before, on the darker side of town. Such places might include Underground Voices, the Molotov Cocktail, and Shotgun Honey. He would like it to be known that it is an honor to be here, down in the Gutter

Foot Fetish

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Everybody fucks weird. Cracked.com

Today Mick Rose makes his Guttorial debut with a new definition for the term shit-kicker...

Foot Fetish by Mick Rose



Eli likes to brag that he killed a man who got fresh with his wife. 

“Didn’t do no time either,” he'll say. “’less you count living with that bitch.” 

He points with his thumb to Lori, who doesnt pay Eli much attention anymore. 

She will, however, verify the story, saying that Fat Billy Shaw was drunk on his ass late one Friday night and, as she and Peggy McElveen staggered across the parking lot of Sammy’s Pub, offered to drink beer out of Loris shoe. 

“I said okay just to see if the goddamned pervert would do it.” She snorts a laugh and shakes her head. “I started to slide my ol’ stank-foot shoe off, pour some beer in it, and dare that fat sonofabitch to drink it. But before I could make a move he was down on his knees right there in Sammy’s parking lot.” 

She takes a toke from her Marlboro, exhales, coughs up a loogie, and spits it off the porch. 

“Then he just knelt there like a moron, staring at my feet like he didnt know what was next. I leaned my fat tail against that piece of shit he used to drive and lifted my right foot a little. “Go on,” I told him. “Take my shoe off, Billy. 

“Billy takes holt o’ my foot like it’s the most precious goddamned thing hes ever touched in his life, slides my ol’ shoe off, and lays it on the ground. He’d forgot about drinking beer out of it. Instead he puts his big, ugly nose right on my bare, stink-ass toes and takes two or three long, deep whiffs. ‘Like heaven,’ he tells me. And that’s when I told him to kiss it. Just like that. I said, ‘Kiss it, Billy. Kiss my goddamned foot.’ 

“It’s amazing how it feels to tell a man, even Fat Billy, something like that and have him down on his knees doing it. I didn’t really think he would, but the sonofabitch starts kissing my toes, real gentle, with his lips closed. Then he looks up at me, pitiful, like I’m going to suddenly deny him the pleasure of further humiliating his big, stupid self. And I say, ‘Go on, now, Billy. You know what to do. Clean it up.’ So Billy lays down on his belly right there in the gravel and mud and starts lickin’ my foot like it was a Popsicle. I tell him, ‘That’s right, asshole, lick it good. Suck those toes. Get that toe jam out of there.’ Shit like that. An’ Bill is going to town, snortin’ and suckin’ like a pig in slop. Then he starts humping the ground, and Peggy Lynn is just a-laughin’.

“They’s other people stopped to see what’s goin’ on—Joe Henry, Lindell, Sue Brazell, an’ a couple others, and I decide to put on a little show. I say, ‘Roll over on your back, Billy boy, and take it out. I want see you jerk off while you suck my foot.’ That fat bastard rolls over just like I tell him and pulls his thing out. He has trouble with it bein’ hard and all, but finally gets it out. It wasn’t big as you'd think what with him bein’ such a tall motherfucker. I tell him to spit in his hand and jerk off, and then I hold my foot over his mouth and let him lick the sole, and that boy was goin’ at it. 
           
“And that,” Lori says, “is when Eli came upon them and slammed his big, booted foot into Bill’s ribs. 

“That big, dumb shit never had a chance. He just rolled over to one side and lay there with his thing hangin’ out while Eli put the boot to him. We’re talkin’ those big, steel toed motherfuckers Eli wore when he worked over to the weldin’ shop, and Eli was puttin’ some force to it, kickin’ that dumb fuck like he actually gave a shit who sucked my toes. Smashed his big, ugly nose. Kicked his yellow teeth in. Kicked his belly so hard the boy was pukin’ brown. Kicked him for ten minutes and I tol’ him to quit it, that he was gonna kill the man, but you know how that bastard is when he gets goin’ on somebody. Eli jus’ said to shut the fuck up, and then tells me and Peg to grab his Bill’s feet and pull his legs apart, and we knew what was coming. And poor ol’ Billy tried to shake us loose, but he was more feeble than usual by then, and I swear if Eli didn’t kick that man’s balls up into his big, stupid head. I saw Bill’s eyes roll up ’til the whites was showin’. Then he starts prayin’, askin’ the Lord to save his sorry ass. But after three of four hard-as-hell kicks between his legs you didn’t hear nothin’ else. That fucker wasn’t even flinchin’. But Eli wasn’t finished, and he goes to the truck to grab an ol’ piece of 2x4 he’s got back there and starts beatin’ the son of a bitch, tellin’ him he’ll teach him to fuck with a man’s wife. 

“We weren’t sure if Fat Billy was alive or dead when we loaded him in his truck. Next day it come out in the paper he was dead.

“Anybody who lives around here knows about when they found. Billy Shaw dead and a ‘likely victim of foul play.’ Likely, my ass. But I always thought Bill’s body had been discovered in a ditch. I said as much, and Eli said that Bill must have managed to climb out of his truck and crawl toward the highway. 

“’Cep’ he fell in the goddamned ditch and drowned.”     

It was that fact that Billy was able to climb out of his truck and crawl toward the highway that saved Eli from a murder charge. That and the other fact that while folks said they had seen Bill sleeping it off in his truck early that morning after last call nobody was willing to testify that they had seen Eli working him over.        

So why, if Eli had beat a man to death, would he confess it so free and easy?

“So you’ll know that what’s mine is mine, and that I’ll kill any son of a bitch who touches it.”      
I have to admit I felt a little edgy after that. I mean, Eli ain’t that big, and the years of abuse have taken their toll, but I knew he was mean even before this tale was told, and that he doesn’t care about much in the way of the law. 

“I am,” he told me once, “my own goddamned law.” 

Another thing I’ll tell you is that, between you and me, I’ve had a time or two with Lori, who doesn’t think twice about laying it on you if she’s in the mood and Eli ain’t around. Knowing what I know now, I wouldn’t have anything to do with either of them if it weren’t for the merchandise that brings me here. 

So I go ahead and make my deal and get the fuck out of there. 

And hope that sonofabitch never finds out I fucked his girl. 

Mick Rose: reader, writer, dreamer, lover, and connoisseur of fine, boxed wine. His fiction and poetry have appeared in a variety of publications, online and print.

Regret

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Is there anything so warm and reassuring, so constant and reliable as family? 

Yes: The great grinding steel wheel of karma.

Regret by Tabitha Wilson



The house is burning down. I am maybe half a mile away, but I can smell it plain as day. I walk, one foot in front of the other, steadily hauling my ass out of town. No reason to stick around this dump anymore, not since my family passed.

Funny thing about regret, it doesn’t hit you where you think it ought to. For instance, take me. You’d think I’d be bawling my eyes out over losing a wife and kids, their memories playing across my brain like a private picture show. But that’s not where my mind is focused. No sir. I am thinking long and hard about Penny from the bank. I really think there was something there, the way she’d look at me sideways from the teller counter while I was dealing with a client at my desk. Penny. We could have had it all. I know that in my heart.


My wife is—excuse me—was, quite a looker. Can’t tell you the number of times she was responsible for a traffic jam. She could literally stop traffic with that tight little figure. All my friends were jealous up to their eyeballs, stopping by the house whenever they could to catch a glimpse or two of heaven. But you live with someone day in and day out, most days you don’t even notice if they’re still breathing. Until they’re not. Then it’s time to haul your ass out of town.

I wish I could have taken the car, but that wouldn't have made any sense. Not when you take into account most folks will naturally assume that’s my charred body up in the master bedroom in a few hours time. What can I say? Ned Biederman had it coming, candy-ass interior designer. I’ll say this honestly. I thought he was a fruit. I think everyone did. My wife sure didn’t.

The bank was just a stepping-stone for me. I did well there, naturally, but I was always meant for bigger things. Even in grade school, the teachers would say, “That little Robert Jones is really something. He’s going to do something really wonderful one day.” And here I was, about to embark on something really wonderful. Sure, it was a cakewalk embezzling funds from the accounts of old folks around here. There’s plenty of them, too. Florida is nothing if not a haven for the affluently retired. You take a few dollars here, a few dollars there, and bam. Ten years later you’ve got a nice little nest egg waiting for you in an offshore account.

That damned wife of mine. Wanting to redecorate the house. I hate thinking of all the money I doled out to that fruit. Meanwhile, he was banging my wife in my own bed.  There’s some regret for you. About thirty grand worth of regret. All your hard work, up in smoke now, pal.

I never really connected with the kids, to tell you the truth. Seemed as much to me like someone else’s kids as they did my own. Times I probably couldn’t even have told you their full names, but that’s partly because my wife was a damned Catholic and gave them each about five names. Foolishness, if you ask me. The oldest one, Billy, was probably my least favorite of the three. He reminded my of my pig snot little brother, so much so that there were times I didn’t wonder if maybe my wife had fooled around on me with him right about the time we were married. I might have to revisit that notion, now that I know about Ned Biederman.

I know there’s a car rental place over on Seever Street that’s pretty sketchy looking. That whole area is sketchy. I bet they won’t look too hard at old Ned’s driver’s license. We’re both sandy blondes. I guess my wife had a type, except I’m no fruit. Once I grab a car there, I’ll drive due south to the Keys, charter a plane, disappear. I probably should have done a little more planning, though. I don’t even have a phony ID yet. This Ned Biederman business just sprung up out of nowhere. Stroke of luck the fruit kept his passport in his leather design bag. I’ll look into a new identity once I’m safely out of this place.

It’s just past 3 o’clock as I approach the car rental place, way too early for it to be open, but there’s nowhere else to go. Sitting in all-night diner would be too risky. There’s a bench out front and considering I've just walked several miles and it’s the middle of the night, I’m going to rest a little while.

“Excuse me!” Someone is yanking me around. “Hey asshole, wake up!” I sit up groggily and wonder where I am. Two hoodlums stand before me in front of the bench. One shows me a gun.

“Give me your wallet, watch, phone, whatever you got in those fancy pockets, faggot,” the one with the gun says.

“What happened, your boyfriend toss you out?” They laugh as I begrudgingly hand over Ned’s wallet. I keep the passport, though. I also have my own IDs in my inner jacket pocket. I am not giving up on my dream. The kid with the gun starts rifling through Ned’s wallet.

“Wait a second, what the fuck? You’re Ned Biederman? This can’t be no coincidence. Oh man, dude. This the homo that broke up my parents a couple years ago and we had to move into an apartment in this shithole neighborhood.” The kid’s face crumples up a bit when he says it, and his grip tightens on the gun. My teeth begin to chatter. I’m no dummy. I already know what’s coming next. Forget Penny at the bank. Forget my wife. Forget the money. I regret not knowing my kids’ full names. Even now, I cannot remember them to save my life. 

Tabitha Wilson is a bloody fool who makes the same mistakes over and over again. Her flash fiction stories can be found on the Flash Fiction Offensive, Shotgun Honey, Thrills, Kills and Chaos, Yellow Mama and Microhorror.

Brit Grit Alley

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Brit Grit Alley features interviews, news and updates on what's happening down British crime fiction's booze and blood soaked alleyways.

By Paul D. Brazill 

This week down Brit Grit Alley, I give you a short, sharp interview with international crime fiction superstar  Torquil MacLeod 

PDB: What’s going on now?

My fourth Sweden-set crime ebook – Midnight in Malmö – is just out. (The series is about a blonde Swedish female detective.) It takes my mind off the pantomime that is Newcastle United.

PDB: How did you research this book?

Pounding the streets of Malmö looking for locations. Talk to Swedes and expats living there (including my elder son and his family). Fortunately, one of our best friends happens to be a blonde Swedish female detective, so that helps. And I read The Local every day on the internet – it’s an English language newspaper based in Sweden.


PDB: Which of your publications are you most proud of?

The next book – in the hope that it’s better than the previous one.


PDB: What’s your favourite film/ book/ song/ television programme?

Film: Casablanca – can’t beat a classic.

Book: A Perfect Spy by John le Carré. An example of great storytelling.

Song: Babe Rainbow by Melanie. Shows my age.

Television programme: This constantly changes but at the moment it’s the French crime series Spiral. Have to admit I like it better than the recent influx of very good Scandi crime hits like The Killing and The Bridge. Why did the latter have to come up with a blonde Swedish female detective based in Malmö?


PDB: Is location important to your writing?  


Malmö is an extra character in my books. That’s why I always try and write about real locations whether it’s a pub, block of flats, city park, public building, train station etc. Some readers enjoy looking up the locations on Google Earth, so I can’t cheat.

PDB: How often do you check your Amazon rankings?

Quite regularly when a book first comes out; then not so often.


PDB: What’s next?


More Malmö Mysteries and possibly a follow-up to an historical crime novel I brought out last summer. It’s a romp set in Newcastle in the 1750s.

Bio: Torquil MacLeodwrites the Malmö Mysteries (four are out as ebooks – the first, Meet me in Malmö, is now out as a paperback through McNidder & Grace). He was born in Edinburgh and brought up in the north east of England. After brief spells as a teacher and a failed life insurance salesman, he worked as a copywriter at advertising agencies in Birmingham, Glasgow and Newcastle, before becoming a freelance writer in 2000. He lives in Cumbria with his wife Susan and hens.


 There'll be more carryings on down Brit Grit Alley very soon, sorta kinda thing, like.

Paul D. Brazill is the author of A Case Of Noir,Guns Of Brixton and The Neon Boneyard. He was born in England and lives in Poland. He is an International Thriller Writers Inc member whose writing has been translated into Italian, Finnish, German and Slovene. He has had writing published in various magazines and anthologies, including The Mammoth Books of Best British Crime. He has edited a few anthologies, including the best-selling True Brit Grit– with Luca Veste. His blog is here.




Book Club

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Today, we visit Oprahs Book Club. Only without Oprah. Or the books. Or, yknow, women.

Books are a personal affair. For some folks, the love of literature is a crime....

Book Club by Phil Semler




Six men sat on stools in a tight circle.

“Remember the rules—” Cliff said.

“Don’t pontificate. Communicate,” they said in unison.

“Let’s start. What should we read first for next time? Anybody have a favorite book?”

“For me, Holden Caulfield. I want to read Catcher in the Rye,” poshed Spike. “The guy just hated phonies. You know, hypocrisy. Major cynic. But, you know, he’s a tragic figure, just like me. That’s why I’m here. Caulfield is a character of contradiction. I was like him. I flunked out of high school and they called me dumb, yet I knew I was intelligent. In fact, if you want to explain things, I mean causal relationships—maybe I’m here because I criticized a society—per say—that is unable to acknowledge my hidden intelligence—” He craved confession but suddenly stopped.

“Why so many white boys like that motherfucking lame-ass book?” Rudra pointed an imaginary gun at Spike. “Man, that book’s for white psychos. You ever notice that?”

“I’m afraid you missed the whole point,” Spike said.

Rudra said nothing. His eyelashes dropped toward his cheeks making his expression hard to read but menacing.

“Okay, man of the streets, black man, gangsta, you gotta book?”

“Fuck yeah. I am talking about Mr. Chester Himes. A Rage in Harlem.”

“I didn’t like it—”

“I. Like. What. I. Like. Motherfucker—” He stopped, pondered, began again. “You didn’t like it? Of course you didn’t like it. That’s because it’s got black cops—Coffin Ed Johnson and Grave Digger Jones—patrolling New York City’s roughest streets. Where I’m from.”

“Yeah, the setting was too gritty for me,” Spike said. “As I recall, the plot was pretty convoluted,”
“Anything more than one character and one desire is too complicated for your lame-ass.” 

“Besides, I don’t want crime books. I want escapism.”

“You piece of—”

“Let’s not criticize anybody here,” Cliff said. “Just stick with the books. Another? Someone who hasn’t spoken.”

“For me,” Blacky spit out, the little rodent-like man, “it was Nietzsche. Man, Will to Power—

“That’s not fiction!” Spike screamed. “It’s fascist!”

Blacky looked as if he’d been shot.

“Please, don’t interrupt,” Cliff said. “Blacky?”

Blacky cleared this throat. “I thought he was speaking to me. The rest was the herd. The individual was me. The individual, and I took that to mean me, can do anything against the herd since they’re the stuff of life, the herd, that is. I guess that explains it all for me. I’m sorry about that landlord lady...”

“You making an allusion to Crime and Punishment?” said Joey. He sniffled and went on. “You’re not going to believe it but Jane Austen gave me a hard on. I used to say—you know the opening of Pride and Prejudice? ‘It’s a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a good blow job.’ And that’s how I lived my life. And got into all this trouble. Women.” After Joey finished, he moved one foot on to the other knee, looking around for approval.

“Man, you is high brow,” Rudra said.

“What the fuck that mean, high brow?” asked Spike. “I never understood that expression.”

“I don’t know literally,” Rudra said ironically. “But figuratively it means you some kind of intellectual.”

“Man, that’s me. Holden Caulfield,” said Spike.

“I don’t like that Catcherbook either,” said Blacky. “Guy was pussy. Why isn’t Holden more appealing as a character? Because he’s a pussy, that’s why. Like Spike.”

Spike looked at Blacky with silent disappointment.

“Okay, okay, no personal attacks,” Cliff said.

“Spike don’t value my opinion,” Blacky replied with a stupid grin on his face.

“He does, Blacky. Others?” asked Cliff.

“He don’t value me neither, motherfucker,” Rudra chimed in.

“If you’d stop swearing every other word, I might—” said Spike.

“Something with an unreliable narrator, like Huck Finn,” Joey said.

“Man, you know I can’t read that shit. It killed my self-esteem. They ought to ban that motherfucking book.” Rudra scratched his head.

“I’m sorry,” said Joey. “Hey maybe something multicultural. How about Song of Solomon?”

“I ain’t reading nothing by that ho,” said Rudra. “Besides, bitch emasculated me.”

“Still, she won some big prize,” said Joey. “Must be good.”

Oedipus Rex!” whispered Jack. The first time he’d spoken. “A classic!”

 “Don’t even go there,” said Rudra. “That book says it all. Man, the dude killed his father and fucked his mother. The father part I can relate too, but my mother? Sweet Jesus. If we can’t read Himes, how about a locked-room murder?” He raised his brows.

“No,” Spike said. “No crime, no mysteries. No Spillane. No Ellroy. Not even Christie.”

“Not even Gone Girl?” asked Rudra. “It’s an amazing book. Especially when you find out the cunt—”

“Don’t give it away, asshole. I might read it.”

“I’ll kill anybody criticize that book,” said Rudra with a menacing look to the group. “It’s fuckin’ genius.”

“I’ve always wished,” Joey said, “I’d read Atlas Shrugged as a youngsterinstead of hard-boiled. Gotten into white collar capitalism.”

“That book’s fascist,” added Spike. “Fucking objectivism. Nothing objective about it.”

“How about something with Jungian archetypes or a doppelganger?” Joey asked.

“I really wouldn’t mind a nice locked-room murder.”

“Serial killers!”

“Was that a joke?”

Everybody started shouting opinions at each other, trying to yell over each other.

“Kerouac made me a homo.”

“You were already a homo before you got here.”

“The minor characters were as good as Dickens’s”

“Hemingway was a fem.”

“Whaddya know? You ever read him?”

“No, but I heard some things.”

“No goddamn role models.”

“I must take issue.”

“Maybe instead of blaming books, you should take some personal responsibility for your actions.”

“Whaddya mean actions? I was fucking innocent.”

“Okay. Okay,” Cliff said. “Settle down. That’s all we have time for today. I’m going to pick the book. I’ll try to pick something you’ll all like.”

The guards stood over the men waiting to take them back to their cells.

Phil Semler lives in San Francisco. He’s the author of the novels Daemon in the Tenderloin, Hipster Killer in the Tenderloin, and the San Francisco Trilogy, which includes Occam’s Razor, Zeno’s Arrow, and Kant’s Modalities.

Hard and Good Times

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There are blind dates, and there are blind drunk dates. 

Our hero seems to have found an uncomfortable hybrid of the two.

Hard and Good Times by Matt Mattila



He sat alone in the room and thought about death again.

David could pretend he wasn't really alone. There was the girl he’d met two weeks ago. The forty-something plastic blonde who promised to blow him for forty bucks even. She had a hotel room. He had booze. He ran out of money. She ran out of blowjobs.

It didn't fit in the whiskey budget.  They could stay another night. He slipped a fifty through a hole under the bulletproof glass--one of the new ones, paper golden, the security ribbon almost a hologram if he let himself stare at it too much.

It has his last big bill. He was down to ones and fives in his wallet now. He didn't believe it, but he knew it was true. It was only the fifteenth of the month. He wouldn't get another check till the second.


He tried doing the math in his head, to see how long he had left. He used to be a cashier, so he should be good at this kind of thing. That cold systematic numbers-based logic. It was a good job that put him through bartending school. Bartending was a good monotonous job that let him flirt with drunk girls and sample high-end vodkas at least twice a night.

Maybe he sampled too much. Maybe that was why they let him go.

Maybe that’s what got him here, the ratty cot with stale sheets and bedbugs he felt crawl on him in his sleep, the box of Oregon wine half empty on its side, crushed under his left arm on the floor. He knew he wouldn't make it. He might as well just lay here and dissolve into the cot sheets. Maybe he’d split a last glass with the girl in the bathroom. She’d stopped puking a half-hour ago. He listened through the ringing in his ears (maybe the manager calling to say the cops were coming) for shallow breathing. Nothing.

Maybe she’d just passed out.

He had to check. He had to make sure.

The bathroom door was still open. The fan still rattled inside. No bloodstains, nothing on the carpet except stale booze and dried vomit specks and crumbs from whoever had the balls to stay here last.

David wished he had a wheelchair. He hated walking hungover. He stood up too fast. His legs sagged under him, weak, sacks of blood. One ankle nearly snapped. He almost slammed into the wall beside him. He dug in dirty nails and hung on till the world stopped spinning and his vision cleared.


Bricks in his skull. The heart he hadn't felt in three days raced and beat against his ribs. There were icicles in his chest and they were stabbing his lungs.

This was the part where he called her name. 

He swayed into the wall. The booze seeped out of his skin. A lifetime of hangovers fried his brain.

He couldn't remember her name. He couldn't remember how long she’d been laying here. He didn't recognize that hair color. He couldn't recall how he met her.

He opened his mouth to shout “Hey” and his stomach turned. The acid burned his throat. He coughed for his life. Maybe that could keep everything down. He coughed loud enough, maybe, to wake her up.

The hand slipped off the wall. He stopped himself from crashing into it. He could breathe now--shallow, wheezy, painful. He put one foot forward and dragged himself against rough old wall and gave himself road rash.

End of the wall. Cheap wood door-frame. The bathroom.

Flickering bulb cast piss yellow lights on the girl on the floor. The tile was cracked and let rotting wood seep through. The glass shower door cut into the opposite wall had cracked sideways, hair between sharp tracks.
She laid on the floor with her shirt half off of her chest and sagged dirty jeans half off her waist. Her arms laid by her sides, palm up. Long legs stubbled with black hair jutted out an inch from the door.

David clawed the door-frame to keep his balance. He avoided looking at the vomit caked under her face. Maybe she’d fallen. He never remembered a bang or a moaning from the floor. No retching. Just thick coughing.

There was nothing now. She might have been sleeping. She might have passed out. She might have passed out with something solid stuck in her windpipe.

His head almost felt good enough to actually stand. His scarred heart raced. He had to check.

He could only let himself live if he woke her up.

He let go of the wall. The fall was terrifying. He crashed to the floor, landed hard, didn’t bother trying to get back up. The world was still spinning. He crawled on his hands and knees toward her. The cracks in the tile scratched his palms.

Then beside her, avoiding the crust under her mouth. One  shaking hand to pretend to balance him, the other on her back, searching.

There’s something here.

It was faint. Maybe in his head. Maybe she’d been dead all day and the flies were waiting for their invitation. His pulse raced. His eyes sagged, blurry.

There was a heartbeat. Life. One last chance.

David made a fist. She should be dead. Every drunk who passed out like this deserved to die and rot on the floor.


He shoved his hand down on a bony back, a good shot straight at a floating rib.

She should have opened her eyes and howled.

Something inside the bitch moaned and mumbled and went back to snoring.

She was alive. His keys were in his pocket. His car was at home. Somewhere. A million miles away.

He crawled backwards and hoped he’d find it eventually. 

Matt Mattila's short fiction has been published in Near to the Knuckle, Yellow Mama, Shotgun Honey, Out of the Gutter and Commuterlit before he turned twenty. Moonlighting as a third-shift restaurant host, he spends his free time trying to come up with a pen name weirder than his real one. Find him on Facebook and Tumblr.

Brit Grit Alley

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Brit Grit Alley features interviews, news and updates on what's happening down British crime fiction's booze and blood soaked alleyways.

By Paul D. Brazill 

This week down Brit Grit Alley, I give you a slice of Brit Grit flash fiction.


Life On Mars? by Paul D. Brazill


Jed waited until he heard the door slam. Then he crawled over to the side of the bed and attempted to sit up. The room jolted as he moved. He took a deep breath and waited a few minutes before trying again. A cold worm of sweat crawled down his spine. His body prickled. Acid gurgled in his stomach.

It was Saturday.

He eased himself up. It would be a good hour before Niki came back; she always did a tour of the charity shops on Saturday mornings, looking out for those old paperback books that she’d collected for as long as he’d known her.

He opened his eyes, took another deep breath and then stumbled out onto the landing.

First stop was the bathroom. He wobbled onto his knees and held onto the toilet bowl as the bile burnt its way out of him. Tears poured from his red eyes. He held onto the sink, eased himself up, and then rubbed his face with a cold flannel. He crept downstairs.

There wasn’t a great deal of debris from the previous night’s party; Niki had obviously tidied up a little as the night went on. But there was enough to suit Jed’s needs.

At the end of the night, before he’d gotten too drunk, he’d tried to remember to leave something in the bottom of each can of cider before opening a new one. Then he’d left them strategically around the front room, ready for the next morning’s pick me up.

Over the next few minutes he downed the dregs of each can; simultaneously gagging and smiling to himself as he felt the hangover slowly edging away.

He sat down on the sofa and picked up an almost full bottle of blue coloured WKD from the coffee table. He remembered Niki chastising him for buying ‘that chav crap,’ saying that the chemicals in it were probably even more lethal than the vodka they were mixed with. He had to admit, it was pretty disgusting, but it would do the trick and keep tomorrow’s shakes and horrors at bay.

A glance at the clock and Jed hurried himself. He picked up a glass and the bottle of WKD. He headed upstairs, taking two at a time, tripping and farting as he went.

The bathroom smelled of puke so he opened a window and sat on the toilet. He pissed and picked up the bottle. He had a sip and poured the booze into the glass. Then he carefully filled the empty WKD bottle with the blue mouthwash that he kept near the sink. He washed the bottle out and filled it with the booze from the glass; it looked pretty much identical.

That would help him get through tomorrow morning. He took the bottle downstairs, yawned and trudged back to the bedroom.

A warm, womb-like feeling crept over him as he went back to bed. Just before he sank into the quicksand of sleep, he thought he heard the front door open.

***

Cutter had known it was Jed from the moment he’d first clapped eyes on him. Mind you, he’d changed a bit over the twenty-odd years since he’d last seen him; he looked well respectable now, though, what with his linen shirts, sandals, Oxford don specs. But that weird walk was distinctive. It could only have been him. Little heel clicks like a Gestapo officer. That was Jed Bramble to a tee.

When they were teenagers, Jed and Cutter were a team. The first Clockwork Orange skinheads in town. They had a right old laugh, too. Especially on Friday nights, after they got kicked out of the Youth Club.

They’d started off smashing up phone boxes, putting in the Paki shop windows, tripping up pensioners. Beating up the odd tramp that was asleep in a bus shelter. And just after midnight, they kicked the shit out of the two old donkeys that were tethered up in the graveyard. Until one of them went blind and the other died.

They had to up the ante, though. Raise the stakes. Which was where the old puff came in. They got a lot of laughs out of him. He always let them into his house, hoping for a feel, probably. They’d drink his crap sherry and smash a few of his antiques, slap him about a bit and then piss off home. But that got boring, too.

Then, one night, they tried to use a fountain pen to take a big lump of wax out of one of the old puff’s ears. Hacky they were. And he was squealing as they did it. He wouldn’t stop. Annoying, it was. Cutter lost his rag and slammed the pen hard, deep into the eardrum and the old bloke collapsed, blood trickling out. Jed freaked out. So they grabbed his wallet and burnt the place down.

Cutter didn’t see much of Jed after that and then Jed’s family moved somewhere down south. He saw him in the local paper once, though, getting his degree from some posh university. And that had been that.

A few years later, Cutter went inside for GBH and met up with Beetle Bailey, a bloke that was doing time for stabbing a blind man and setting fire to his guide dog. They had a cracking time in the nick. Plenty of pills, home-made booze and ‘pets’.

When Cutter eventually got out, the probation sent him down south, since none of his family wanted anything to do with him. His home town was off limits, they said.

The half-way house where he lived was a shithole, though. Worse than prison. But seeing Jed the other week gave him an opportunity. A way out.

So, he’d started following him. Learned his habits. Found out where he lived. Where he hid the spare key.

And today, he’d waited until Niki had left home and headed off toward the park. Then Cutter had walked towards the house and let himself in.

***

Niki soaked up the sun as she strolled down the high street, a couple of vintage paperbacks stuffed under her arm. She’d been to the deli, too, and picked up some organic sausages and some cactus juice for breakfast. She swung the canvas shopping bag as she strolled into the park. It was a golden autumn morning.

She spotted a couple of the men from the halfway house sat on a bench, smoking roll ups. She nodded to them and gave a weak smile. They sat there every day watching the world go by. People usually gave them the cold shoulder but she thought they were harmless enough. Well, apart from the one with the pony tail and the bushy moustache. He gave Niki the evil eye whenever she saw him. But he wasn’t there now and Niki felt relieved, for some reason.

And, again, she counted her blessings. The kids were doing well at University; Jed and her had good jobs and were in good health. They had a nice house, in a nice area.

Not for the first time, Niki felt that the world was a benevolent place. That she was at one with the universe. That the stars and the planets had aligned to make her … a lucky woman. A contented woman.

The sense of well-being stayed with her as she walked home and only shuddered briefly when she walked up the garden path and saw that the front door was wide open.

The End.

Life On Mars? first appeared in the anthology OFF THE RECORD, edited by LUCA VESTE.


 There'll be more carryings on down Brit Grit Alley very soon, sorta kinda thing, like.

Paul D. Brazill is the author of A Case Of Noir,Guns Of Brixton and The Neon Boneyard. He was born in England and lives in Poland. He is an International Thriller Writers Inc member whose writing has been translated into Italian, Finnish, German and Slovene. He has had writing published in various magazines and anthologies, including The Mammoth Books of Best British Crime. He has edited a few anthologies, including the best-selling True Brit Grit– with Luca Veste. His blog is here.



Flowers for Cristina

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When travelling abroad, they give you shots and warnings, tell you not to drink the water and be wary of pickpockets and scam artists,

but they don't tell you the greatest danger is what you bring with you: your heart.

Flowers for Cristina by Johnny Strike



I watched the port coming into view from the old freighter.
I was fresh out of college and on my first trip out of country. I was to look up an elderly uncle for certain members of the remaining family and to make sure that said uncle was okay. The “eccentric” Uncle Luigi had become an expat, deciding to live full-time in this small, tropical, Latin American island nation, cutting off all contact with his family. Several of the family became concerned enough to finance my trip.
        Once on the island I checked in to an inexpensive old hotel oozing with old world character. Still buzzed by travel I decided to go out and explore the steamy, exotic streets. Presently I came across a section of town heavy with the smell of rich earth, and heady with the perfume of flowers. The flower stalls were bleachers and each row presented a jumble of colors that climbed to the top tier. About midway up the stands of one of these was a girl of around my own age. She stopped me in my tracks. She was sitting and idly browsing through a magazine. She perhaps felt the intensity of my gaze since she looked at me pleasantly and curiously before putting the magazine aside. I took a couple of steps up, and wished her a good evening in a mix of English and Spanish. Without much of an expression she asked if I was an American, and was I interested in buying flowers. I said si and no gracias. I laughed and expected her to, but what followed was an uncomfortable moment of silence. Thankfully she spotted other potential customers, and left to help them. I loved the way her dark hair was pulled back. I imagined her letting it down while sitting atop me. I drank her in watching her wrap a dozen pink roses for an elderly couple.



        I found the flower girl so compelling I knew somehow I had to get to know her. After the sale she stayed at street level, sat on a wooden bench and was in the process of touching up the paint on her toenails when I came down and approached her again. “Did you change your mind?” she asked without looking up. I felt at odds, and thought that she must have a boyfriend, a husband, probably a child or more—most did—or maybe she despised gringos, or the looks of me. As I started to turn away, a loud electronic/disco number exploded from a sound system across the street, then was cranked even more and everything seemed to pulse with the bass. The girl jumped up and began dancing, unconcerned about anything else. She was lost in her own groovy world of the beat. Her hips moved back and forth and she made circles with her hands. I was spellbound and to my delight saw that she was motioning for me to join her. I could feel something melting inside and I didn’t hesitate. When the music stopped maybe five minutes later I took her hand, kissed it and she smiled.
        Three weeks later she moved in with me, and we began living a pleasing, exhilarating life full of romance and fun in an old furnished apartment overlooking the plaza. I did track down Uncle Luigi and we’ll get to that story soon enough. But first...


One night there was a knock on the door. We’d been toying with each other on the couch. I’d started to pull off her jeans, but the knock distracted us and persisted. Not expecting anyone, especially at that hour, although it might be the new, too friendly neighbor who was nervous, and spooked about the old building, claiming she was seeing glimpses of fantasmas, and hearing voices coming from within the walls. Cristina had comforted her on a few occasions, probably too many.
        I answered the door and found someone I’d never laid eyes on before. About six-foot-six, 250 pounds, wide shoulders wearing a tight black suit and a tight black V-neck T-shirt. He had a wide, cruel face, clean shaven except for long, thin, closely trimmed sideburns. He wore his receding greasy hair in a ponytail; a small diamond sparkled in his left earlobe. His deep-set eyes showed me a dark place, and before I could think about it anymore he said, “I’m here to see Cristina. I’m her cousin, Gallo.”
        Behind me Cristina said, “Let him in, Simon.” 
        Gallo stepped into the room silently, took a chair across from where Cristina was standing. He took a cigarette from a silver case that sparkled with a few more diamonds. He lit his cigarette with a matching lighter. Cristina almost never smoked although now was lighting one with a cheap Bic that had purple flowers on it. What was wrong with all this my concerned inner voice wondered. The two had barely acknowledged each other, and Cristina looked very nervous.
        “I didn’t know you had a relative named Gallo who doesn’t offer to shake the hand of his cousin’s fiancé, let alone embrace her or greet her in any way,” I said looking at Gallo who seemed bemused for a second, then found a mint or a pill in his jacket pocket and popped it into the hole between his fat lips.
        “Please, Simon, let me handle this,” Cristina pleaded.
        “Handle what? What’s this all about, darling?”
        “It’s family business,” she said a little too sharply. “Please. Give me some time alone with my cousin?” She looked at me with such seriousness that I succumbed, although still hesitant since my stun gun was in that room, in a drawer nearby. Gallo was, after all, like a menacing bull sitting there glaring at me.
        “Are you sure, honey?” I tried, throwing my own glare at Gallo, but found him looking at Cristina’s bare feet with an expression of disapproval.
        She crushed out her cigarette halfway, gave me the look, so I said okay and stepped out of the room. I went down the short hallway that now seemed longer. When I arrived in the small, high ceiling kitchen I took an Indian dagger off the wall, stuck it behind my belt in the back, under my loosely worn shirt. I stepped out of flip flops and began to creep back down the tile hallway. I knew enough Spanish to basically make out what was being said.
        “You said I’d never have to be involved,” I heard Cristina say. “The whole family promised ...”
        “When you decided to sleep with an American you voided that agreement. You must have realized that.”
        “I realized nothing. Are you insane? No one said a word...”
        “Too bad, cousin,” he interrupted. “... and now that grandpapa has spoken, you must this once deliver the package.”
        “But grandfather has something like dementia, and I-I’m scared. I’d screw it up somehow. I remember what happened to Carmen, and Pedro. It was horrible!”
        “Those were different times. There is no such animosity between the clans now.”
        “Why don’t you use a legit delivery service?”
        I could imagine Gallo’s ugly face smiling, then scowling. Nothing more was said and I had the crazy idea they were speaking in a sign language known only to the “clan.” Then, I heard the door opening. I looked around the corner just in time to see Cristina closing it, and locking it. Her shoulders were sagging. I spotted the large, all purpose notepad not where it was usually kept, but instead on the bar in-between the Deco clock and the black obsidian Aztec head.


        Cristina sensed me, turned, looking at me looking at the notepad.
        “It’s nothing, Simon, just an address. A family matter.”
        “You’re not doing anything of the sort. I heard. It’s dangerous criminal activity. Your family can go to hell!”
        We sat and talked intensely for another hour, sometimes agreeing, and other times completely at odds. Our conversation at first was ripe with emotion, but eventually fell into doldrums, then we spoke softly, Cristina’s head on my lap and then we didn’t speak at all.
        Later, on the balcony we started talking again. The buildings near the sea glistened under a nearly full moon. At one point off in the distance we spotted a fire and we ceased talking, watching it, then later its deep, dying embers. For a moment I lost track of who I was, where I was and I wondered who was this strange, beautiful girl looking at me hard in the gray morning light. When she looked away and began wringing her hands it all came back, and again I asserted that under no circumstances was she to be involved in her family's illegal activities. In the end she agreed, and in doing so she lied to me for the first and last time.
        The following week, on one particular night that felt unusually heavy, Cristina failed to show up after work. I knew something was wrong. As the hours passed I become convinced that she’d gone ahead with the delivery. In the wee hours I finally called the emergency number she’d provided when we’d first moved in together. I suspected it was her parents, and waited impatiently as it rang. Finally a male voice answered: “Como?” and then there was a cough, a clearing of the throat, and another “Como?” I identified myself in Spanish, English, Spanglish. The man only cursed. I figured it was the father and asked him if he understood me. He repeated that I was a “son-of-a-bitch,” and added a “vile enemy,” and a “capitalist pig,” and asked if I understood that. Then there was what sounded like a scuffle until a new voice came on, the mother no doubt, “Please, Mister Simon, please excuse my husband who behaves like a donkey.”
        “Mrs. Álvares, is Cristina there?”
        “N-no, we thought she was living with you.”
        “Yes, she was, is, but she didn’t come home last night. So she...”
        I heard what sounded like the phone being dropped, excited voices in the background, more swearing, noises, crying and then the connection was cut. Calling had only made my anxiousness bordering on panic more profound, and yet I called back again and again, only to hear a busy signal—one more evil indicator.
        At 10:20 A.M. I was still at the police station filling out paperwork that was stamped, stapled to other documents, and placed in a folder that was added to a pile of similar folders. A file was now “active” I was told by two different policemen, and their expressions implied that this would somehow lead to a solving of the case. After one policeman made a phone call in a small back room he reported that she was not in the main hospitals. With a burst of unwarranted optimism I decided that she would indeed return, in fact she was probably home by now, had just stayed over with a girlfriend after the delivery, because she thought I would be mad, dear girl. I was just being crazy, paranoid. I rushed out of the station to the dumbfounded expressions of the two policemen who’d been assisting me.
        I found the apartment empty. I called her family again. This time getting a child who screamed and then hung up. I looked out the window, down to the street where a hunched man wearing a large visor was selling lottery tickets. He was yelling something that sounded like murder. I turned away, and called the number again.
        “I fear she is a victim of violence, or possible kidnap,” the mother said in a distant, impersonal tone as though she’d taken a heavy sedative and was repeating what someone had written for her to say. I sputtered, and asked impossible questions, that went unanswered, and finally in a feverish state I hung up. I fought to hold off the panic, the overwhelming sadness and desperation that had returned and consumed me like some cruel, malignant demon, and now I would give up the false hope that she’d just turn up, even though it was only the second day. So, later, when I heard a key in the lock I was startled and excited all over again.
        The door swung open to the imposing figure of Gallo, dressed the same and smiling. I was filled with rage and stepped forward, only to be hit in the jaw by a fist I never saw coming. I fell back against a chair. Swiftly, I was thrown against a wall where my head banged a painting, knocking it askew. I didn’t know whether to hold my jaw or the back of my head. I was stunned yet still standing, albeit a bit shaky. It was only a few feet to the drawer that held my stun gun. Gallo was smiling, in a boxer’s pose, his head and shoulders slightly bobbing, then he looked past me in an odd distracted way, like there was somebody behind me. I realized the power of this man who seemed more the Minotaur of Greek mythology. I tried to convey that I didn’t want to fight. What I wanted was an advantage, an equalizer, my fucking stun gun.


        There was no reasoning or mercy with Gallo; his grin vanished and what remained was the look of an animal, no, a full-on psycho. And I had no plan. It had happened too quickly. Gallo blinked and came in for the kill. I twisted to one side like a matador, and instead of the impact and violence I was expecting, even accepting on some level, Gallo, the bull man crashed to the floor. I saw my moment and didn’t hesitate. I flew to the drawer and turned quickly with the Black Widow tight in my hand. I watched Gallo slowly starting to get up, but then crumple. There was a gory hole in the side of his head, and another in his back. I saw some spatter on the floor and wall, and felt a breeze coming from the open window. I went over to it, still shaken, and instinctively looked across the way to a higher rooftop where a man was waving. He was wearing a white suit and a Panama hat. He cradled a telescopic rifle in one arm. I didn’t know why, but I waved back. Then the man turned and disappeared behind a door that no doubt led to the stairway or elevator. When I turned back around I was again shocked: Gallo’s body was gone, the blood wiped and the front door was partially open.
        I was relieved, but where? Who? I fought the urge to rush out and see if I could discover something. Instead I collapsed onto the couch. Should I do anything? The phone rang. I approached it, looking at its black beetle body as though it was now a living thing. It continued to ring with a haranguing, provoking tone. Should I answer it? It could be Cristina, or the assassin in the white suit. I picked it up. It was police inspector Padilla requesting I come back to the station. He wouldn’t say anything else. I hung up and, fighting off dread, walked out of the apartment forgetting to lock the door, or to take a jacket.
I arrived at the police station in a cab I didn't remember getting into. Yet, there I was, paying the elderly cabbie, exiting the car in front of a building that could have been anything, until one looked up and saw the soot covered shield above the entrance. Inside, one was greeted with a set of iron gates and metal detectors. In the lobby I looked around helplessly, still fearing bad news, then felt someone take my arm: inspector Padilla, the man in charge, whom I had already met. He guided me down a back corridor, onto an elevator, and off again, then down another corridor that looked like the first one, into an office where his chubby secretary was applying eyeliner. She smiled guiltily, and snapped her mirror shut. Padilla grunted and we continued past her and into his private office.


        Cristina’s ID had been discovered in a garbage disposal site outside of the city along with a dozen other prostitutes, and “persons of the streets.” I asked feebly if I could see the body. Officer Padilla said it wasn’t a good idea, but handed me a manila envelope. He explained that the bodies were chopped up and mostly fed to packs of wild dogs. I barely understood what he was saying. Inside I found a set of utterly obscene Polaroid's. Almost nothing in the photos looked human anymore. I imagined they were from some war zone or even some alien hell planet, surely not here, not Cristina. Padilla put them back into the manila envelope. I began to weep.

The next couple of weeks were something of a blur. I tried to convince Padilla to investigate the Álvarez family. I told him all about cousin Gallo and the supposed delivery, even of Gallo’s assassination. Padilla only shook his head, advised me to forget about it, said it was too complicated, that there were new bodies every day, and that nobody could stop it. I argued with him, but eventually I saw that what the man said was true. A new government, a whole new system was what was needed, yet that too, after a short glory period would bow to the corruption that seemed part of the life blood that was this tiny republic.
        I had come to the island originally to find Uncle Luigi, who had visited there later in life, and decided to stay on. He had his pension and savings that allowed him to live there comfortably. Uncle Luigi loved the place: the prices, the weather, the women, the gambling, the brandy and cigars. He was now eighty-four. I’d found him living with a fat gray cat named Ernesto in a roomy apartment in a newer section overlooking a well-tended garden. I found him in fair health and good spirits, and he was pleased that I’d come. He was well attended to by Marta, a vivacious housekeeper half his age, who made him breakfast, cooked his dinner, made his coffee and ran some errands. I suspected, she provided other services too. This notion was confirmed over brandy one evening. Uncle Luigi said that although his sex life had passed, he still liked to look and touch. He nodded toward the kitchen where Marta was working, singing to herself. He winked and stroked Ernesto, and the fat cat purred, and rubbed its head on Uncle Luigi’s chest. I discovered that Uncle Luigi had worked through most of his savings gambling, although he had his pension that would provide for the apartment, employ Marta, allow him to smoke a cigar or two, eat well, and feed the cat until he turned one-hundred. I presented him the check from the family. He looked at it closely, smiled and put it aside, maybe already returning to the casinos in his mind.
        I had visited Uncle Luigi on a number of occasions, although eventually I became bored with the old man’s stories that he retold each time I visited, and almost verbatim. And then Cristina had moved in with me, and a whole new life blossomed. Now that was over and my loss turned into a hate for everything the island nation was. I visited Uncle Luigi one last time before making arrangements to leave for good. Marta cooked us fish in garlic, dark purple potatoes and a salad for lunch. The garlic stayed with me all day, and not in a good way. I remember leaving on the ferry. I remember exactly how heavy and gray the sky and the sea looked on that mournful and empty day.


Johnny Strike, is an American writer, mostly known as songwriter, guitarist and singer for the proto-punk band Crime based in San Francisco.Headpress published Strike's first novel in 2004, Ports of Hell, with a blurb by William S. Burroughs. Strike also interviewed Paul Bowles, Mohamed Choukri, Herbert Huncke and traveled, with extended stays in Morocco, Mexico, and Thailand where he set his fiction. His writing has appeared in Ambit magazine and Headpress Journal, and in 2008, with artist Richard Sala providing illustrations, Rudos and Rubes published his short story collection: A Loud Humming Sound Came From Above.

Hello Mary

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If I went my whole life without ever having to make a fucking phone call, it would be too soon.

Of course some news you just cant text. Even tragedy deserves a little dignity, from time to time.

Hello Mary by Brian Alan Ellis



The sex sucked, Mary—shocker, right?—waited till Jimmy got off—I sure as hell wasn’t—so I could just roll over and light a cigarette, which I did, and so we lay there sharing it, thinking of what to say.

Finally I said, “You notice you didn’t kiss me once just then?” He shrugged, said he forgot, and I go, “Bet you kissed Jennifer when you fucked her.” Nothing. “What if I went out and sucked somebody’s dick?” He says, “Try it and we’ll see.” Smug fucker. So I take the cigarette from out his mouth and smash it into my wrist. Then he shakes me, he shakes me like hell, and I go, “I bet you still wanna fuck her! I bet you think of Jennifer when you’re fucking me!” He stops, gives me a dumb look, the retard, and starts shaking me again. “I was drunk,” he says. I go, “Not too drunk to stick your dick in her!”

I busted his nose. Then he shoved me, called me every goddamn name, and so I went to leave and, get this, he starts crying! You believe that little bitch? I say, “Aw, poor baby want Mommy?” So he gets a handful of hair and sends me across the room. Then he knocked me around. I screamed my head off till he stopped, then put my clothes on and left, slamming the door real good on my way out.

I could hear Beastmaster yelling, “DON’T SLAM THE GODDAMN DOOR—FOR CHRIST’S SAKE!” You believe that, Mary? Beastmaster. That’s what I’ve started calling Jimmy’s drunk-ass mother. Son’s an abusive shithead and all she cares about is me slamming her damn door!

I get in my car. Jimmy comes sprinting out—naked—screaming—crying—his shriveled up cock bouncing as he’s punching the hood. I’ll admit, seeing that skinny fuck-face with his sad little wiener and all, I felt bad. Seriously. But I had to split—and fast!

“Don’t you dare leave me like this, bitch!” I roll the window down and tell Jimmy he’s acting dumb and that he needs to take his meds. Then he’s on the hood with his junk pressed against my windshield. I said fuck it, and peeled out. I meant to just freak him out but he, like, slides down the hood of the car, disappears, and then … BAM! I brake, park it, see Jimmy in the rearview. He’s sprawled out in the middle of the road.

I go over and nudge him. He isn’t really moving, just twitching some, and he has blood on his mouth. I thought about Dracula. Then I lost it and started yelling, “You stupid prick!”—blahblahblah—“What’s wrong with you?”—blahblahblah—“It’s your own damn fault you got run over!” Really, Mary, what do you do—standing there looking down at your possibly dead idiot boyfriend? No, really, I’m asking… 

I wrapped him in a blanket I got from out the trunk and then dragged him, God help me, to Beastmaster’s front door—nearly topple over those stupid ceramic squirrels she keeps in the yard—stupid bitch—and Jimmy is heavy as fuck! Really, Mary, I’m the one who should be dieting? Shit…

Jimmy’s head kind of droops forward as I’m sitting him against the door and I leap sixteen feet in the air! Thought he came back to life, Mary—Night of the Living Fuck-heads! Anyway, I kiss his forehead, say a prayer—you know, the proper crap?—and contemplate whether or not to leave a note.

Beastmaster didn’t hear shit. Bet she was passed out. Drunk whore. The neighbors, I assume, didn’t hear or see anything either. Lucky for me, Beastmaster lives way out in bum-fuck. Lucky for them too, I bet. The neighbors, I mean. Everybody.

Right now I’m parked behind the Sip’n’ Save…Well, of course I think he’s dead! Yeah. So, Mary … how about I come get you? What for? So you can help me bury limp-dick Jimmy! I decided to not leave him with Beastmaster after all—got him in my trunk. What if he’s not dead? Who cares? Dead or alive, he’s going in the ground. So, like, what do you say, Mary? … Hello? … Maryyyy? … Yoo hoo!? …Mary! ...

Brian Alan Ellis is the author of The Mustache He’s Always Wanted but Could Never Grow, 33 Fragments of Sick-Sad Living, and King Shit. His shit has appeared through such outlets as Skive, Crossed Out, The Whistling Fire, Zygote in My Coffee, Monkeybicycle, DOGZPLOT, Conte, Sundog Lit, Connotation Press, Vol. 1 Brooklyn, HTML Giant, Entropy, That Lit Site, Diverse Voices Quarterly, flashquake, Spittoon, Spry, NAP, The Next Best Book Blog, and Atticus Review, and was also adapted and performed by the Buntport Theater group in Denver, Colorado. He lives in Tallahassee, Florida, and works at a barbecue slop house.
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